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43ª MOSTRA INTERNACIONAL DE CINEMA

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K.M. MADHUSUDHANAN
Born in Kerala, he studied Painting at the College of Fine Arts, Trivandrum, and pos-graduated in Printmaking at the M.S. University, Baroda. He has received an international award for his first short film Self Portrait (2001) and has been honoured for Self Portrait and for History is a Silent Film (2007), his second short, by the Museum of Modern Art, New York (MoMA). The sum of his works reflects a pre-occupation with art and cinema interwoven with memory and history in its cinematic and pictorial structure. Bioscope is his first feature film.

Filmes já exibidos na Mostra:

Bioscope (32ª Mostra)
KAI NORDBERG
Born in 1968, in Helsinki, he studied cinema, theater, and journalism at the Free University of Berlin and graduated in 1994. A director of documentaries, he directed his first film in 1995, Cities in Change: Berlin. The following year, he made a short film Trash on the Highway of Love, followed by a sequence of ten documental films, including Kathmandu Rock`n`Roll (1996) and Bread and Circus Games (1999).

Filmes já exibidos na Mostra:

Journey Into the Light (26ª Mostra)
KAI WESSEL
Born in Hamburg in 1961. While in his early youth, he worked on film productions, but as a driver. He then became a photographer for still shots and, from 1985 on, assistant director to Ottokar Runze. He has directed several fiction features for TV, such as Mein Bruder der Idiot. His outstanding films for cinema include Martha Jellneck (1988), Summer Album (1991), and a children`s movie Die Spur der Roten Fässer (1995).

Filmes já exibidos na Mostra:

Goebbels and Geduldig (25ª Mostra)
KALEO LA BELLE
Born in Maui, Hawaii, in 1973. He studied Fine Arts in New York and Filmmaking in Switzerland. He directed the documentary films Crooked River (2006). Based in Switzerland, he works internationally as a director and cinematographer of documentary films.

Filmes já exibidos na Mostra:

Beyond This Place (34ª Mostra)
Kaltrina Krasniqi
Kaltrina Krasniqi

Kosovo based film director and media specialist working in film, television and online publishing since 2001. She graduated in film directing from the University of Prishtina and has a master`s degree in Kosovo`s Institute for Journalism and Communication. Kaltrina made short films like Kanarinët e Dinë (2014) and Sarabande (2018). Vera Dreams of the Sea is her first feature film. 

Filmes já exibidos na Mostra:

Vera Dreams of the Sea (45ª Mostra)
KAMBUZIA PARTOVI
KAMBUZIA PARTOVI
Born in 1955, Iran. He studied theatre and then began writing screenplays for television shows. He made his feature film directing debut in 1986 with Golnar, wrote the screenplay for Jafar Panahi’s The Circle (2000, 24th Mostra) and directed the feature film Café Transit (2005).

Filmes já exibidos na Mostra:

Closed Curtain (37ª Mostra)
Kamen Kalev
Kamen Kalev

Born in Burgas, Bulgaria, in 1975. His debut feature film Eastern Plays (2009, 33rd Mostra) was selected to the Directors’ Fortnight in Cannes and was exhibited and awarded at other international film festivals. He also made The Island (2011), Face Down (2015) and the segment My Dear Night (2014) of The Bridges of Sarajevo (2014, 38th Mostra), which also featured works by directors such as Jean-Luc Godard and Ursula Meier.

Filmes já exibidos na Mostra:

BRIDGES OF SARAJEVO (38ª Mostra)
February (44ª Mostra)
Eastern Plays (33ª Mostra)
Kamila Andini
Kamila Andini

Born in Jakarta, Indonesia, in 1986. She studied sociology and media arts at Deakin University, in Melbourne, Australia. Kamila made the feature films The Mirror Never Lies (2011) and The Seen and Unseen (2017), presented and awarded at film festivals like Berlin, Toronto and Tokyo.

Filmes já exibidos na Mostra:

Yuni (45ª Mostra)
Kamir Aïnouz
Kamir Aïnouz

Born in Paris of Algerian parents, Kamir Aïnouz lived seven years in Los Angeles, where she studied film writing at UCLA and participated in various filmmaking workshops at USC School of Cinematic Arts. She has also worked as a screenwriter for television and cinema, notably on LOL (2012), by Lisa Azuelos. Honey Cigar is her directorial debut.

Filmes já exibidos na Mostra:

Honey Cigar (45ª Mostra)
KANG YI-KWAN
KANG YI-KWAN
Born in 1971. After majoring in sociology at Korea University, Kang studied and graduated from the Korean Academy of Film Arts. He made his feature film debut with the film he wrote, Sa-kwa (2005). Juvenile Offender is his second feature film.

Filmes já exibidos na Mostra:

Juvenile Offender (37ª Mostra)
Brotherhood (28ª Mostra)
KANJI NAKAJIMA
que nos enche de coragem, nos livra da culpa da estagnação e convoca a viagens e releituras. E nos enche os olhos e a mente com poesia e musicalidade, nostalgia e modernidade, olhando para o passado e para o futuro com a certeza de quem conclama mudanças no presente. Aproveita a fama rapidamente criada como talento emergente numa Alemanha paranóica com o seu próprio futuro, mesmo como expoente do movimento Novo Cinema Alemão, parte para os Estados Unidos a fim de render uma série de homenagens a vários de seus ídolos. Uma ao ator e diretor Dennis Hopper, com O Amigo Americano (Der Amerikanische Freund, 1977), outra aos diretores Nicholas Ray e Samuel Fuller, os três atuando nesse mesmo filme. Reinventa a sua modernidade com um filme neo-noir e envolve-nos ao mesmo tempo com a admiração pela novelista Patricia Highsmith, seu inspirado personagem Tom Ripley, e ainda presta homenagem indireta a Alfred Hitchcock que a adaptou no cinema com Pacto Sinistro (Strangers on a Train, 1950). A sinceridade de Wim Wenders é estimulante. A sua peregrinação americana prossegue surpreendendo. Os seus filmes envolvem espectadores com personagens e roteiros que são capazes de levar o martírio de um cinéfilo às últimas conseqüências. Retorno a Nicholas Ray, o mítico diretor de Johnny Guitar (1954) e Juventude Transviada (Rebel Without a Cause, 1955) e roda com ele O Filme de Nick (Lightning Over Water, 1980), para registrar a sua morte lenta e real. A inventividade de Wim Wenders permitia-nos escapes excitantes, mesmo provocando conflitos com ícones admirados em comum. Foi o caso na fascinante homenagem ao escritor de novelas policiais Dashiel Hammett, a alma do film noir, a um custo caríssimo. Hammett, de 1982, também foi rodado nos Estados Unidos e gerou conflitos com o produtor que tanto admiramos como cineasta - Francis Ford Coppola. Entre as tumultuadas filmagens e interrupções, volta à Europa para rodar O Estado das Coisas (The State of Things), em 1982. Sem que pudesse imaginar, esse filme se tornaria um símbolo de resistência contra a ditadura militar brasileira, depois de ganhar o Leão de Ouro no Festival de Veneza. No dia 20 de outubro de 1984, com mais de mil pessoas lotando a sessão de O Estado das Coisas no Cine Metrópole, cinema infelizmente desaparecido, chegam os agentes da Polícia Federal com uma ordem para interromper a 8ª Mostra Internacional de Cinema. Em O Estado das Coisas, uma equipe de cinema está em Portugal motivada pela própria autobiografia de Wenders, com as dificuldades de um cineasta em realizar o seu filme sem conseguir se livrar da opressão do produtor. Tudo começou um mês antes da 8ª Mostra ser inaugurada, quando partimos ao desafio ao governo em seu último ano de ditadura, processar a União e obtendo vitória judicial para poder, pela primeira vez em oito anos de existência, fazer um festival sem submeter a seleção dos filmes à censura prévia. A Mostra reagia por todos esses anos de humilhação. Uma semana depois, o governo federal cassaria a liminar e interromperia a Mostra para o espanto de todo o mundo. E justamente no curso da projeção de O Estado das Coisas... Li com voz embargada e lágrima nos olhos, diante de uma platéia espantada, a decisão judicial de acabar com a Mostra livre censura. Enquanto isso, no auge da criação, Wim Wenders se refaria do impacto do filme americano anterior, ganhando a Palma de Ouro em Cannes de 1984 com Paris, Texas. Impecável modernidade com roteiro de Sam Shepard sobre buscas e perdições, interpretações de Harry Dean Stanton e Natassja Kinski e música de Ry Cooder. O admirável cineasta-cinéfilo leva-nos ao Japão pouco depois com o diário-documentário Tokyo-Ga, em forma de peregrinação e reverência ao grande mestre Yasujiro Ozu. Foi Wenders quem abriu em 1985 os olhos de novas gerações ao cinema do grande mestre japonês. Observamos na obra de Wim Wenders a sua capacidade de despojamento, sempre se fazendo parecer muito menor diante dos ícones de sua (nossa) formação cultural. Com ele aprendemos sobre o grande poder motriz da humildade. Ao percorrer cenários japoneses e seus rituais tão bizarros quanto fascinantes, Wenders comporta-se com a disciplina de um pupilo e faz notar o quanto japonês e universal é o inestimável legado cinematográfico de Ozu. A admiração por Wim Wenders foi crescendo a cada revelação e a cada surpresa de seus filmes. O mais emocionante de todos dessa fase foi certamente a sua antecipada demolição do Muro de Berlim com Asas do Desejo (Wings of Desire, 1987). Anjos singelos atrevem-se a ignorar a existência do abominável muro e a sobrevoam indiferentes às fronteiras, atrás das almas que devem guardar. Asas do Desejo foi, merecidamente, o Prêmio do Público da 12ª Mostra, em 1987, e inseriu-se imediatamente na galeria dos seus filmes para sempre cultuados. Inesquecíveis ainda os anjos enxergarem em preto e branco e só verem as cores ao virar mortais pelo ‘pecado’ de se apaixonar por seres vivos... É notável também o igualmente surpreendente talento e a generosidade de Wim Wenders em prestigiar talentos musicais para agregar valores em seus filmes. “Minha vida foi salva pelo Rock’n Roll. Porque foi esse tipo de música que, pela primeira vez na minha vida, me deu um sentimento de identidade, o sentimento de que eu tinha o direito de aproveitar, imaginar e fazer alguma coisa”, revela Wenders em seu sítio oficial www.wim-wenders.com. A galeria de músicos convidados para os seus filmes é imensa - Ry Cooder, Daniel Lanois, Willie Nelson, U2, Bono, Nick Cave, BAP, Wolfgang Niedecken, Ronnee Blakley e Lou Reed, além de conseguir o feito mundial de resgatar talentos em grupo como em Buena Vista Social Club, de 1998. Com esse documentário musical Wenders deu uma extraordinária sobrevida a um grupo extraordinariamente talentoso de músicos cubanos. Ou como fez ao resgatar a história de três bluesmen marcantes - Blind Willie Johnson (1902-1947), Skip James (1902-1969) e J.B. Lenoir (1929-1967), em A Alma de um Homem (The Soul of a Man, 2003), seu longa dentro da série Blues, e que novamente venceu o Prêmio do Público, na 27ª Mostra. Wim Wenders justifica a escolha dos três bluesmen por identificar neles características comuns: “estavam à frente de seu tempo, escreveram suas próprias músicas, eram cantores e instrumentistas completos e morreram desconhecidos e esquecidos”. Bastava isto para atribuir o Prêmio Humanidade da 32ª Mostra Internacional de Cinema a Wim Wenders. Ele enriquece com seus gestos e filmes a galeria dos indicados anteriores ao Prêmio Humanidade da Mostra, que foram Manoel de Oliveira, Eduardo Coutinho e Amos Gitai. E, portanto, atenção aos filmes escolhidos por Wim Wenders com carta branca. Finalmente a Mostra vê em cores o seu anjo da guarda. Leon Cakoff

Filmes já exibidos na Mostra:

The Clone Returns Home (32ª Mostra)
KAORI MOMOI
KAORI MOMOI
Born in Tokyo, Japan, in 1952. She is an actress, singer, professor, writer and director. She studied at the Royal Ballet School in London and at the Bungakuza School of Dramatic Arts. She has acted in more than 60 films, including Akira Kurosawa`s Kagemusha (1980), Shoei Imamura’s Eejanaika (1981, 6th Mostra) and Aleksandr Sokurov`s The Sun (2005, 30th Mostra). Her writing and directing debut was with Faces of a Fig Tree (2007).

Filmes já exibidos na Mostra:

HEE (40ª Mostra)
KAREL KACHYNA
Nasceu em 1924, em Vyskov. Formou-se na Academia de Cinema de Praga em 1951. Fez vários documentários e filmes protagonizados por crianças e adolescentes. Dirigiu entre outros, The Lost Trail (56), That Christmas (58), Smugglers of Death (59), Ciach to Vienna (66), Our Foolish Family (69), The Little Mermaid (77), Golden Eels (79), Couting Sheep (82), Rainbow Marble (85), The Death of the Beautiful Roebucks (86) e The Ear (91).

Filmes já exibidos na Mostra:

A Pequena Ninfa Do Mar (2ª Mostra)
Paulina (1ª Mostra)
KAREL MARSALEK

Filmes já exibidos na Mostra:

Opus Para Totenkoff (9ª Mostra)
KAREN CHAKHNAZAROV
Nasceu em 1952 na URSS. Depois de estudar cinema estreou em 75 dirigindo curtas. Seu primeiro longa "Os Homens de Bem" é de 79. Antes deste quinto longa ("Cidade Zero"), o primeiro sucesso internacional aconteceu com "Jazz-man"(seleção da 8ª Mostra).

Filmes já exibidos na Mostra:

Zero City (13ª Mostra)
Ward Number 6 (33ª Mostra)
Jazz Man (8ª Mostra)
KAREN HARLEY
Worked as an editor in films such as O Quatrilho (1995), by Fábio Barreto, Tieta (1996), by Cacá Diegues, and Janela da Alma (2001, 25th Mostra), by João Jardim and Walter Carvalho. Directed the short film With the Whole Ocean to Swim (1997) before her feature debut with Wasteland.

Filmes já exibidos na Mostra:

Waste Land (34ª Mostra)
KAREN MONCRIEFF
Born in 1963, in Sacramento, U.S.A.. After consolidating her work as an actress in cinema and in TV, she began to work as a director. She starred behind the cameras with an episode on a TV series, Six Feet Under (2001). Blue Car is her first feature.

Filmes já exibidos na Mostra:

Blue Car (27ª Mostra)
KARI JUUSONEN

Filmes já exibidos na Mostra:

Pizza Passionata (25ª Mostra)
KARI SKOGLAND
Nasceu no Canadá. Em 1987, a convite da Champagne Pictures, começa a dirigir vídeos e comerciais, pelos quais recebeu vários prêmios. Em 1990, cria a Skogend Films para desenvolver seus próprios projetos. Realiza documentários como Diary of a Teenage Smoker a Not by the Book. Dirige diversos episódios para séries como Catwalk e Dead at 21 para a MTV. Este é seu primeiro filme, estrelado por Paul Rudd, de As Patricinhas de Beverly Hills. Recentemente, completou o segundo, Men With Guns, com Paul Sorvino.

Filmes já exibidos na Mostra:

The Size of Watermelons (20ª Mostra)
Karim Aïnouz
Karim Aïnouz

Born in Fortaleza, Ceará, Brazil, in 1966. He graduated in architecture and urbanism from the Brasilia University and has a master in theory and history of cinema from the New York University. In the 2000’s, he collaborated with the scripts of movies like Shredded April (2001), by Walter Salles, Cinema, Aspirins and Vultures (2005, 30th Mostra), by Marcelo Gomes, and Lower City (2005, 29th Mostra), by Sérgio Machado. Aïnouz made his debut in feature films direction in 2002 with Madame Satã, screened at the 26th Mostra. He also directed Suely in the Sky (2006, 30th Mostra), I Travel Because I Have To, I Come Back Because I Love You (2009), in partnership with Marcelo Gomes, The Silver Cliff (2011), Futuro Beach (2014), Central Airport: THF (2018, 42nd Mostra) and The Invisible Life (2019, 43rd Mostra), winner of Un Certain Regard section at Cannes Film Festival.

Filmes já exibidos na Mostra:

THE INVISIBLE LIFE (43ª Mostra)
CATHEDRALS OF CULTURE (3D) (39ª Mostra)
DOMINGO (38ª Mostra)
MADAME SATÃ (43ª Mostra)
Mariner of the Mountains (45ª Mostra)
Suely in the Sky (30ª Mostra)
CENTRAL AIRPORT: THF (42ª Mostra)
KARIM BENSALAH

Filmes já exibidos na Mostra:

Fatima`s Secret (28ª Mostra)
KARIM DRIDI
Karim Dridi iniciou sua carreira como diretor em 1985, com o curta-metragem Mains. Assinou mais seis curtas, antes de realizar seu primeiro longa, Pigalle, em 1994. Em 1995, Dridi fez seu segundo longa, Bye, Bye, também presente na 19ª Mostra.

Filmes já exibidos na Mostra:

Rage (27ª Mostra)
Khamsa (32ª Mostra)
Pigalle (19ª Mostra)
KARIM SAYAD
KARIM SAYAD
Born in Lausanne, Switzerland, in 1984. After studying international relations in Geneva, he decided to become a documentary filmmaker. He directed the short Babor Casanova (2015). Of Sheep and Men is his first feature film.

Filmes já exibidos na Mostra:

OF SHEEP AND MEN (41ª Mostra)
KARIN JUNGER
Born in the Hague (Netherlands) in 1957. She studied French literature and mass communicatios at the University of Amsterdam. Her first documentary in 1988 was Birthplace Unknown followed by Mixed Feelings (1991), Act of Love (1992), Amadeu, Amadeu! (1993), In Alle Stilte (1997), Chickies, Babies and Wannabees, and God is My Co-Pilot (both from 1999) and others.

Filmes já exibidos na Mostra:

God Is My Co Pilot (25ª Mostra)
KARL FRANCIS
Nasceu no País de Gales, em 1942. Trabalhou para a televisão inglesa como colaborador, roteirista e diretor free-lance de documentários. Começou a produzir seus próprios filmes em 1975.

Filmes já exibidos na Mostra:

Rebecca`s Daughters (16ª Mostra)
KARL MARKOVICS
KARL MARKOVICS
He was born in Vienna in 1963. As an actor, he has worked in many theater plays, musicals and several films, amongst them The Counterfeiters (2007), by Stefan Ruzowitzky, winner of an Academy Award of best foreign language film, and Unknown (2011), by Jaume Collet-Serra. Breathing, his first feature film as a director, was awarded in the Director’s Fortnight at Cannes Film Festival.

Filmes já exibidos na Mostra:

Breathing (35ª Mostra)
KARLA HOLANDA
KARLA HOLANDA
Born in 1965. She has worked with film and video since 1992, when she moved to Rio de Janeiro in order to start working in the audio-visual industry. In 1995, she returned to Fortaleza, where she attended courses in the Dragão do Mar Institute and founded the production company Em Foco Multimídia, eventually making other films, such as the short films Vestígio (2002) and Riso das Flores (2004).

Filmes já exibidos na Mostra:

Kátia (36ª Mostra)
KÁROLY MAKK
Károly Makk nasceu em 1925 e realizou seu primeiro filme aos 29 anos. Mas esta obra, `Les Pionniers`, acabou proibida pelas autoridades. Foi assistente de Geza von Radvanyi e produziu numerosos filmes para a televisão. É de 1970 seu filme mais famoso, `Amor` (Szelerem), vencedor do Prêmio do Júri em Cannes. Em 1984, seu filme `Um Outro Jeito` (Játszanl Kell) foi o grande vencedor da 7ª Mostra.

Filmes já exibidos na Mostra:

Love Each Other: Hungarian Pizza (20ª Mostra)
Another Way (7ª Mostra)
KASIA ROSLANIEC
KASIA ROSLANIEC
Born in Poland in 1980. Graduated from the Warsaw Film School and then attended The Wajda School. She directed Mall Girls (2008) and Baby Blues (2012), for which she won the prize of best film in Generation 14plus section of the Berlin Film Festival.

Filmes já exibidos na Mostra:

SATAN SAID DANCE (41ª Mostra)
KASPAR ASTRUP SCHRÖDER
Born in Denmark, he’s a painter, photographer, musician and filmmaker. Founded Kasparworks company in 2004. Though based in Copenhagen, he often works in Asia. Has exhibited visual work and released music in Copenhagen, Amsterdam, Bruxelles, New York and Tokyo.

Filmes já exibidos na Mostra:

The Invention of Dr. Nakamats (34ª Mostra)
KASPAR MUNK
KASPAR MUNK
Born in 1971, he is a graduate of the alternative film school Super16, in Denmark. Munk’s feature film debut, Hold Me Tight (2010), won an award for best debut feature at the Rome Film Festival. You and Me Forever is his second feature.

Filmes já exibidos na Mostra:

You And Me Forever (36ª Mostra)
KASPAR ROSTRUP
The Danish director was born in 1940. Before he became a film-maker, in 1962, he embarked briefly on a career as an actor, and took part in only one film. In 1976, he was assistant airector for the film Kassen Stemmer. He directed his first film in 1981, Jeppe pa Bjerget. He also directed Dansen med Regitze (1989), Bryggeren (1996; for TV), and this film, A Place Nearby (2000).

Filmes já exibidos na Mostra:

A Place Nearby (25ª Mostra)
KASPER BISGAARD
KASPER BISGAARD
Born in Denmark. He studied at the National Polish Film school, Lodz. He directed films and documentaries for television.

Filmes já exibidos na Mostra:

The Kampala Story (36ª Mostra)
KATALIN GÖDRÖS

Filmes já exibidos na Mostra:

George and the Unfaithfull Sausage (18ª Mostra)
Mutants (26ª Mostra)
KATARIINA LILLQVIST

Filmes já exibidos na Mostra:

The Country Doctor (20ª Mostra)
KATE CHURCHILL
Kate Churchill is the fourth girl in a family of eight. She started her career in the theater. Kate was the first Producing Director for the world-renowned Lookingglass Theatre Company in Chicago. She migrated to Los Angeles to chase her dream of becoming a filmmaker. There Kate wore several hats—she worked as a freelance production coordinator for Disney, developed a television show for Universal and launched her career as a voice-over artist. She served in several capacities, including Producer/Director/Writer. In 2001, Kate founded her own company, Nama Productions. Kate Churchill produced and directed Transform Your Life and In Search of the Jaguar, a National Geographic Special that won the Genesis.

Filmes já exibidos na Mostra:

Enlighten Up! (32ª Mostra)
KATE CONNOR
KATE CONNOR
As an actress, she has starred in TV series like Mad Men, Criminal Minds, Brothers & Sisters, Lost and Heroes. Fort McCoy is based on her grandparents` true story when they lived next to a German prisoner’s camp in Wisconsin during World War II.

Filmes já exibidos na Mostra:

Fort Mccoy (35ª Mostra)
KATELL QUILLÉVÉRÉ
KATELL QUILLÉVÉRÉ
Born in 1980 in Abidjian, Côté d’Ivoire. Studied cinema and philosophy at the Paris 8 University. She was one of the organizers of the Mid-Length Festival in Brive. She directed the short films À Bras le Corps (2005), followed by Imprudence (2007, 31st Mostra), e L’Échappée (2009). Her first feature film, Love like Poison (2009, 34th Mostra), was selected for the Director’s Fortnight at Cannes and won the Jean Vigo Prize. Suzanne is her second feature film.

Filmes já exibidos na Mostra:

Love Like Poison (34ª Mostra)
Imprudence (31ª Mostra)
Suzanne (37ª Mostra)
KATHARINA VON SCHROEDER
Born in Wuppertal, Germany, in 1979. Studied Physics, Film and TV. She works as a picture editor for the BBC and Arte. My Globe is Broken in Rwanda is her first full length documentary.

Filmes já exibidos na Mostra:

My Globe Is Broken in Rwanda (34ª Mostra)
KATHARINA WYSS
KATHARINA WYSS
Born in 1979. Studied film directing at the German Film and Television Academy, in Berlin. Sarah Plays a Werewolf is her first feature film.

Filmes já exibidos na Mostra:

SARAH PLAYS A WEREWOLF (41ª Mostra)
KATHRIN FEISTL
Born in Aachen, Germany, in 1972. In 1996, she was admitted to the Academy for Cinema and TV in Berlin and, in the meanwhile, directed short films: Pink Pearls (1997), Not on The Lips (1999), and Hitched (2001). Her first feature in 2004 was Am I Sexy?

Filmes já exibidos na Mostra:

Can You See Me? (29ª Mostra)
KATHRYN MILLARD
Kathryn Millard started researching Charlie Chaplin several years ago with a view to making a feature film about the cross-cultural and timeless appeal of the comic genius. Along the way she as sidetracked by the beguiling Charlie Circle of Adipur. The result, The Boot Cake, joins a body of work that is highly awarded and internationally recognized. Her 2003 feature film Travelling Light was nominated for four Australian Film Institute. In 1996 she gave Cate Blanchett her first film role in the short feature Parklands. Her 1991 documentary Light Years, is about renowned Australian photographer Olive Cotton. She has also written extensively for print and radio and acted as a dramaturg and script editor on projects.

Filmes já exibidos na Mostra:

The Boot Cake (32ª Mostra)
KATIA LEWBOWICZ
KATIA LEWBOWICZ
Was born in Paris, in 1973. She studied dramatic arts in Paris, New York and Washington. She stared in films such as La Maison de Nina (2005), by Richard Dembo, Prête-moi ta main (2006), by Eric Lartigau, and Secret Défense (2008), by Philippe Haïm. Has directed the short film C’est pour Quand? (2008). Pourquoi tu pleures? is her first feature film.

Filmes já exibidos na Mostra:

Bachelor Days Are Over (35ª Mostra)
KÁTIA LUND
Born in São Paulo. She is co-director of City of God (2002), with Fernando Meirelles. She was also assistant director in films such as News from a Personal War (1999), by João Moreira Salles, and Gêmeas (1999), and Me, You, Them, both by Andrucha Waddington.

Filmes já exibidos na Mostra:

Bilu e João (29ª Mostra)
KATIE ASELTON
Was born in Milbridge, USA, in 1978. Graduated from The American Academy of Dramatic Arts, in New York, in 2003. An actress of films and TV series, she starred in the short film Intervention (2005), by Jay Duplass, and in the feature The Puffy Chair (2005), by Jay and Mark Duplass. The Freebie is her first time directing.

Filmes já exibidos na Mostra:

The Freebie (34ª Mostra)
Katja Georgi
Katja Georgi
Born in Germany in 1928. She worked as a director and screenwriter and among her most celebrated works are Feuer des Faust (1981), Der Teufelstaler (1963) and Vom Mutigen Hans (1959). She directed the short film Young Man Named Engels (1970), screened at the 42nd Mostra.

Filmes já exibidos na Mostra:

YOUNG MAN NAMED ENGELS (42ª Mostra)
KATJA VON GARNIER

Filmes já exibidos na Mostra:

Making Up (18ª Mostra)
KATJA WIK
KATJA WIK
Born in Stockholm, Sweden, in 1987. She worked as a casting director of movies such as Force Majeure (2014) and A Pigeon Sat on a Branch Reflecting on Existence (2014), both exhibited at the 38th Mostra. Katja made her directorial debut in 2012 with the short Nerves. The Ex-Wife is her first feature film.

Filmes já exibidos na Mostra:

THE EX-WIFE (41ª Mostra)
KATRIN GEBBE
KATRIN GEBBE
Born in Germany in 1983. Katrin studied at the Netherlands Academy of Visual Arts and Design and at the School of the Museum of Fine Arts in Boston. She directed the short films Narzissen (2007), Sores & Sirin (2009) and Einladung (2009), in addition to the feature Nothing Bad Can Happen (2013), which was presented at the 37th Mostra and is in exhibition at this 43rd edition, in the section German Cinema: curated By Mariette Rissenbeek.

Filmes já exibidos na Mostra:

NOTHING BAD CAN HAPPEN (43ª Mostra)
PELICAN BLOOD (43ª Mostra)
KATRIN ROTHE
KATRIN ROTHE
Born in Gera, Germany, in 1970. She studied filmmaking in Berlin and London. Directed several shorts and TV documentaries, such as Dunkler Lippenstift Macht Seriöser (2003) and Polen für Anfänger (2010). 1917 - The Real October is her first feature film.

Filmes já exibidos na Mostra:

1917 - THE REAL OCTOBER (41ª Mostra)
KATRINE WIEDEMANN
KATRINE WIEDEMANN
Born in 1969. Beginning as a stage director, she began in film with her feature The Lady of Hamre (2000). A Caretaker`s Tale is her second feature.

Filmes já exibidos na Mostra:

A Caretaker`s Tale (36ª Mostra)
KATSUHIRO OTOMO

Filmes já exibidos na Mostra:

Memórias (20ª Mostra)
Steamboy (28ª Mostra)
KATSUHITO ISHI
Born in 1966, in Niigata, he began his career as an artist as a mangá (Japanese comic strips) draftsman while he was yet a child. At the university, he became interested in cinema and in American comic strips and opted, then, for the cinema. He directed short films Wild World (1991) and Promise in August (1994), in addition to some 80 publicity films.

Filmes já exibidos na Mostra:

Shark Skin Man and Peach Hip Girl (24ª Mostra)
Kaveh Sajjadi Hosseini
Kaveh Sajjadi Hosseini

Born in Tehran, Iran, in 1977. Director, screenwriter and producer, Hosseini  entered the world of cinema as a child actor in his father’s films. He studied  theatre and cinema in university and directed some short films and TV  movies. In 2016, he worked as an assistant director for Asghar Farhadi’s The Salesman (40th Mostra). He is the director of the feature films Night Outdoor (2013) and Buffalo (2015). 

Filmes já exibidos na Mostra:

Headless (44ª Mostra)
KAY POLLAK
Born in Göteborg, on May 21, 1938. She majored in mathematics and statistics by the University of Göteborg. Director and script writer, she made her first film Elvis! Elvis! in 1976. This was followed by Children`s Island (1980) and Love Me! (1986). She directed films and entertainment programs for television from 1968 until 1976. As It Is In Heaven was nominated for an Oscar for best foreign film in 2005.

Filmes já exibidos na Mostra:

As It Is in Heaven (29ª Mostra)
Elvis! Elvis! (3ª Mostra)
KAZIMIERZ KUTZ

Filmes já exibidos na Mostra:

The Beads of a Rosary (6ª Mostra)
Kazufumi Umemura
Kazufumi Umemura

Born in Japan in 1996. In 2020, Umemura graduated from the film production department at Kyoto University of the Arts. Silence and Sunset is his first feature film.

Filmes já exibidos na Mostra:

Silence and Sunset (44ª Mostra)
KAZUHIRO SODA
Nasceu no Japão, mas mudou-se para os EUA desde 1993, decidido a fazer filmes independentes. Este seu primeiro longa-metragem foi financiado parcialmente pelo diretor tcheco Vojtech Jasny, autor de 19 filmes, incluindo Um Dia, Um Gato (1964). Jasny, aliás, aparece no filme representando seu própno papel.

Filmes já exibidos na Mostra:

Freezing Sunlight (20ª Mostra)
KAZUO HARA
Nasceu em 1945 em Yamaguchi. Estudou no Tokyo School of Photografy e fundou sua produtora com Sachiko Kobayashi em 71. Dirigiu "Sayonara CP" em 72 e "Gokushiteki Erosu - Koiuta 1974" em 74. Trabalhou depois em filmes de Shohei Imamura, Kiriro Urayama e Kei Kumai. Recebeu por este filme o prêmio de diretor-revelação no Japão.

Filmes já exibidos na Mostra:

The Emperor`s Naked Army Marches On (16ª Mostra)
KAZUYA SHIRAISHI
Was born in Hokkaido, Japan, in 1974. Worked as an assistant director for Isao Yuikisada and Isshin Inudo. In 2008, he directed the TV show The Cursed High School. Lost Paradise in Tokyo is his first feature film.

Filmes já exibidos na Mostra:

Lost Paradise in Tokyo (34ª Mostra)
KAZUYOSHI OKUYAMA
Nascido em 1953, Kazuyoshi Okuyama é um nome conhecido como produtor no meio cinematográfico japonês. Antes de estrear na direção desto suntuoso filme, produziu longas para nomes como o dos veteranos Hideo Gosha, Sheijiro Koyama , como também do então estreante Takeshi Kitano (Violent Cop, 89), que este ano venceu o Festival de Veneza como Hana-Bi, Fogos de Artifício (seleção da 21ª Mostra).

Filmes já exibidos na Mostra:

O Mistério de Rampo (21ª Mostra)
KEES HIN
Born in 1936, in Haarlem, Holland. He began his career in 1964 and directed over 85 documentaries. In 1985, he was awarded the Jordaan Prize for cinematography. Outstanding among his films are Woyzeck - A man becomes a murderer, from 2004, and Summersea, from 2003.

Filmes já exibidos na Mostra:

Cinéma Invisible - The Book (29ª Mostra)
KEI KUMAI
Nascido em 1930, em Nagano, Kei Kumai graduou-se em literatura em Matsumoto. Em 1964, fez sua estréia no cinema, com Teigin Case, depois de trabalhar como assistente de direção de Yutaka Abe, Tomotaka Tasaka e Seiji Hisamatsu. Desde então mantém uma produção intensa, com filmes como The Long Darkness (Shinonugawa), An Ocean to Cross (Tenpyo no Iraka), Luminous Moss (Hikarigoke) e Deep River (Fukai Kawa).

Filmes já exibidos na Mostra:

To Love (21ª Mostra)
Mt. Aso`s Passions (16ª Mostra)
Luminous Moss (16ª Mostra)
KEIICHI KOBAYASHI
KEIICHI KOBAYASHI
Born in Japan in 1972. He has directed numerous television programs, music videos, commercials, and web‐based dramas. About the Pink Sky is his debut feature film.

Filmes já exibidos na Mostra:

About The Pink Sky (36ª Mostra)
KEISUKE HORIBE
Born in 1966 in Tokyo. As an actor, he has appeared in TV programs and more than twenty films, such as Postman Blues (1998, 22nd Mostra), The Taste of Tea (2004) and One Million Yen Girl (2008). He is also a television and radio writer. Elevator Trap is his first film as a director.

Filmes já exibidos na Mostra:

Elevator Trap (33ª Mostra)
KEITH FULTON
Keith Fulton american producer and director with a specialization in documentaries and a university background in the history of art, he has made documentaries such as John the Barber (1993) and Ben Franklin(s): A Historical Fiction (1995). Together with Louis Pepe, he developed a project to criticize the system of production in the Hollywood industry that includes The Hamster Factor and Other Tales of Twelve Monkeys (1996) and this Lost in La Mancha (2002). Louis Pepe an independent director, living in Los Angeles, he divides his time between documental projects and fiction. His best-known short film is Roadside Eulogy (1991), a study on people run over on highways. In 1999, he directed the trilogy Moments of Doubt, on women struggling for their personal lives, but that are under domination of the strict demands of their respective careers.

Filmes já exibidos na Mostra:

Lost in La Mancha (26ª Mostra)
KEITH HARING

Filmes já exibidos na Mostra:

Come On, Come on (Break It!) (9ª Mostra)
KELLEY BAKER
Mais conhecido por seu trabalho como supervisor de som nos três últimos filmes do diretor Gus Van Sant (Um Sonho sem Limites, Gênio Indomável e Psicose), Kelley Baker escreveu e dirigiu diversos documentários e curtas. Birddog é seu primeiro longa.

Filmes já exibidos na Mostra:

Birddog (23ª Mostra)
KELLY ASBURY

Filmes já exibidos na Mostra:

Shrek (28ª Mostra)
KELLY OVERTON
Kelly Overton and Judson Pearce Morgan, who both hail from the NY acting community, join forces on The Collective for their filmmaking debut. Kelly was born in 1978 in New Jersey, USA and studied at the American Academy of Dramatic Arts in NY. As an actress she has been seen in such films as The Ring 2, Stephen King`s Desperation, and Tekken, as well as starring opposite Kathleen Turner and Jason Biggs in The Graduate on Broadway. Judson, who was also seen in the same play, was born in Greenville, Illinois, USA in 1974 and went to Wheaton College and UMKC for a Masters in Acting and Directing, class of 2000. He directed The Wager in 2007.

Filmes já exibidos na Mostra:

The Collective (32ª Mostra)
KEMMOCHI SATOKI
Born in Tokyo, in 1967. He graduated in film directing by the Department of Media of the College of Fine Arts of the University of Nihon. He began his career as Assistant Director until he made his first film, Be in Happines

Filmes já exibidos na Mostra:

Be in Happiness (27ª Mostra)
KEN AUSUBEL
Graduou-se pela Universidade de Yale. É jornalista desde 74 no "Santa Fé Reporter" e é cineasta desde 82. Trabalha na atualidade para um centro de cinema antropológico onde produziu documentários como "Los Remedios: The Healing Herbs" e "Hope and Prayer" com o médico Bernie Siegel. Escreveu o roteiro do longa "Cosmic Confidential".

Filmes já exibidos na Mostra:

Hoxsey: Quacks Who Cure Cancer? (12ª Mostra)
KEN JACOBS
KEN JACOBS
Born in New York City in 1933. A pioneer of the American film avant-garde of the 1960s and 70s, his filmography includes Blonde Cobra (1959-1963), Tom Tom the Piper’s Son (1969-1971), Globe (1971), The Winter Footage (1964-1984), The Perfect Film (1986), Opening the Nineteenth Century: 1896 (1990), Keaton’s Cops (1991), Looting for Rodney (1994-1995), Disorient Express (1996), The Georgetown Loop (1997) and The Discovery (2008).

Filmes já exibidos na Mostra:

THE GUESTS (38ª Mostra)
KEN LOACH
KEN LOACH
Filho de operários, nasceu em 1936 e se formou em direito em Oxford. Começou a carreira de diretor na BBC, fundando em 1968 sua própria produtora, a Krestel Films. Estreou no cinema no mesmo ano, com A Lágrima Secreta (Poor Cow). Entre seus trabalhos estão: Vida em Família, Agenda Secreta (1990),Prêmio Especial do Júri em Cannes, Chuva de Pedras (1993, seleção da 17ª Mostra), vencedor do Prêmio do Júri em Cannes, Ladybird (1994, 18ª Mostra), Prêmio de Melhor Atriz em Cannes, Terra e Liberdade (1994, seleção da 19ª Mostra) e A Canção de Carla (1996, seleção da 20ª Mostra).

Filmes já exibidos na Mostra:

11’09’01 September II (26ª Mostra)
Looking for Eric (33ª Mostra)
Just a Kiss (28ª Mostra)
Raining Stones (17ª Mostra)
Ladybird, Ladybird (18ª Mostra)
Meu Nome É Joe (19ª, 23ª Mostra)
The Navigators (26ª Mostra)
The Wind That Shakes the Barley (30ª Mostra)
Tickets (29ª Mostra)
KEN MC MULLEN
Nasceu em Manchester, em 1948. Estudou Artes na Liverpool College of Art e na Slade School of Art, em Londres. Começou a direigir documentários em 1972. Seu primeiro longa é Resistance (80). Entre suas obras estão Being and Doig ( Documentário- 82) e Ghost Dance (83). A 12º Mostra apresentou uma retrospectiva do autor com os filmes Zina(85), Partition (87) e 1871 (90)

Filmes já exibidos na Mostra:

There We Are, John... (18ª Mostra)
Partilha (12ª Mostra)
Zina (12ª Mostra)
KEN RUSSELL
Nasceu na Inglaterra em 1927. Seu primeiro sucesso internacional foi "Mulheres Apaixonadas"("Women in Love", 69). "Delfrio de Amor"("The Music Lovers", 71) foi seguido por um filme proibido pela censura brasileira: "Os Dem(nios"("The Devils", 72). Depois de alguns anos afastado do cinema voltou com carga de cinismo total: "Crimes de Paixpo"("Crimes of Passion",84) e "Salome`s Last Dance"(88, seleção da 12ª Mostra).

Filmes já exibidos na Mostra:

Contos Eróticos 2: The Insatiable Mrs. Kirsch (18ª Mostra)
Whore (16ª Mostra)
KENG GUAN CHIU
KENG GUAN CHIU
Born in 1972 in Batu Pahat, Malaysia. Studied Art Design and Fine Art. He started working as a movie editor and studied Film Directing at the Beijing Film Academy. Was assistant director in Clifton Ko’s Big Winner (1998), shot in Singapore. He’s been involved in Malaysian film and TV production. He directed the feature Tiger Woohoo! (2009). Great Day is his second feature film.

Filmes já exibidos na Mostra:

Great Day (35ª Mostra)
KENNETH BRANAGH
He was born in 1960, in Belfast, Northern Ireland. At the age of 23, he joined the Royal Shakespeare Company. He also studied at the Royal Academy of Dramatic Arts, in London. He founded the Renaissance Theatre Company. He is best known for his interpretations of William Shakespeare’s plays. He made his directorial debut in 1989 with Henry V and has since directed film adaptations of Shakespeare’s Much Ado About Nothing (1993), Hamlet (1996), Love’s Labour’s Lost (2000), and As You Like It (2006). His other films as director include Dead Again (1991), Peter’s Friends (1992), Frankenstein (1994), In the Bleak Midwinter (1995), and Sleuth (2007). He also works as an actor with other filmmakers, like in Harry Potter and the Chamber of Secrets (2002) and Rabbit-Proof Fence (2002).

Filmes já exibidos na Mostra:

Sleuth (31ª Mostra)
KENNETH ELVEBAKK
KENNETH ELVEBAKK
Born in Hemnesberget, Norway in 1966, he studied at the Oslo Film and Television Academy and went on to work for the Norwegian Broadcasting Corporation. His filmography includes the documentary medium-length films Et positivt liv (2001), Den hemmelige klubben (2003) and the short 300 sekunder (2011). Ballet Boys is his first feature film.

Filmes já exibidos na Mostra:

BALLET BOYS (38ª Mostra)
KENNETH LOACH

Filmes já exibidos na Mostra:

The Angel´s Share (36ª Mostra)
Black Jack (3ª Mostra)
KENNETH SCICLUNA
Kenneth was born in 1975. After graduating from the University of Malta in 1977, he started directing TV films and commercials. His first feature, Genesis (2001), was also the first full-length film production ever made in his country.

Filmes já exibidos na Mostra:

The Isle (28ª Mostra)
KENNY ORTEGA
Kenny Ortega foi o diretor e coreógrafo dos famosos musicais da Disney Channel "High School Musical" e "The Cheetah Girls 2", que lhe deram bastante destaque. Ortega nasceu em Palo Alto, Califórnia. Foi criado em Redwood City e freqüentou a escola Sequoia High School de 1964 a 1968. Inicialmente conhecido por trabalhar como dançarino/coreógrafo de Gene Kelly e Olivia Newton-John no filme Xanadu, Ortega foi para a fama de coreografo em 1987 com o filme Dirty Dancing, e ganhou prêmios por coreografia em vídeos de música, como o de Madonna "Material Girl".

Filmes já exibidos na Mostra:

This Is It (33ª Mostra)
KENSAKU WATANABE
Nasceu em 1970 e começou a trabalhar em cinema aos 19 anos, como assistente do diretor Seijun Suzuki, no filme Yumeji. Watanabe ficou tão impressionado com Suzuki que decidiu continuar com ele em seus vídeos e outros projetos. A História de Pupu é seu filme de estréia e conta com a participação especial de Suzuki no elenco.

Filmes já exibidos na Mostra:

The Loved Gun (28ª Mostra)
KENT JONES
A critic and filmmaker, he was born in Pittsfield in 1960. He’s the author of several books, such as Physical Evidence: Selected Film Criticism. Wrote many films for TV. He and Martins Scorsese have collaborated on several documentaries. Living in Manhattan, he’s now the executive director of The World Cinema Foundation, dedicated to the restoration of old films created by Martin Scorsese. A Letter to Elia is his first feature film as a director.

Filmes já exibidos na Mostra:

A Letter To Elia (35ª Mostra)
KENTARO OTAMI
Nasceu em 1965. Formado pela Universidade Tama de Artes, Otani realizou vários curtas, dentre os quais Watashi to Tanin ni natta Kare wa, de 1990, que ganhou vários prêmios. Avec Mon Mari é seu primeiro longa.

Filmes já exibidos na Mostra:

Com Meu Marido (22ª Mostra)
KEREN YEDAYA
Born in the U.S., in 1972. He moved to Israel in 1975. He majored in cinema at Camera Obscura School and began, as from 1993, to start workshops for street children. Since 1997, he has given lectures on prostitution. He concurrently made three short fiction films Elinor (1994), Lulu (1999), and Les Dessous (2001). Or is his first fiction feature, made as from a grant he was given at the Montpelier Festival in 2001. Shown at the Critics’ Week at the Cannes Film Festival, the film was awarded a Gold Camera Prize.

Filmes já exibidos na Mostra:

Or (28ª Mostra)
KERRY CONRAN
Born in Flint, Michigan, he studied Cinema at the California Institute of the Arts. In 1994, he settled a blue screen in his apartment and spent the next four years creating a six minute short film, named The World of Tomorrow. The short film originated the first feature film of his career, Sky Captain and the World of Tomorrow.

Filmes já exibidos na Mostra:

Sky Captain and the World of Tomorrow (28ª Mostra)
KESARI HARVOO
Com formação em teatro amador e cinema, Kesari Harvoo, de 36 anos, realizou diversos curtas e uma série de TV, em 13 episódios, intitulada Sushma. A Canção da Terra marca sua estréia na direção de longas.

Filmes já exibidos na Mostra:

Canção Da Terra (22ª Mostra)
KETAN MEHTA

Filmes já exibidos na Mostra:

Mangal Pandey the Rising: Ballad of Mangal Pandey (29ª Mostra)
A Folk Tale (7ª Mostra)
KEVIN MC KEON E KURT WAHLNER
McKeon é um professor autodidata, ilustrador e designer. Sua parceria com Wahlner vem de 86 quando os dois abriram um estúdio de publicidade. Como diversão de fim-de-semana, McKeon filmava curtas de mistério. Logo as aventuras de Ernie Boylan viraram o foco da sociedade, resultando em três volumes de reconstituição das peças radiofônicas sobre o personagem e este longa de estréia. Wahlner nasceu em Los Angeles e estudou Artes Gráficas. Em 80 fundou a Magazine Softalk que depois foi largamente imitada por outras revistas de computadores. Ele é consultor de design para a Variety, cinéfilo confesso e colecionador de postais. Os dois cineastas estão juntos neste projeto radio-cinematográfico desde 1987.

Filmes já exibidos na Mostra:

A Formula for Mayhem (16ª Mostra)
KEVIN MERZ
KEVIN MERZ
Born in Zurich, Switzerland, in 1978. He studied at the Italian Institute of Photography and at the Los Angeles Film School. Since 2005 works as an independent filmmaker and cinematographer. He directed the documentaries Glorious Exit (2008) and An African Election (2011).

Filmes já exibidos na Mostra:

GOTTHARD - ONE LIFE, ONE SOUL (41ª Mostra)
KEVIN R. FRECH
Director and script writer, he studied at The School of Art Institute of Chicago and at the New York University Tisch School of Arts. He directed, edited, and co-produced a documentary on artists with mental problems who work in New York and won an award at the Chicago International Film Festival, in 1995.

Filmes já exibidos na Mostra:

Bowery Dish (29ª Mostra)
KEVIN RAFFERTY

Filmes já exibidos na Mostra:

Atomic Cafe (9ª Mostra)
KEVIN SMITH
Nascido em Highlands, New Jersey, em 1970, Kevin Smith começou sua carreira no cinema com o barato e aclamado O Balconista (Clerks), em 1994, realizando no ano seguinte, Mallrats. Seu mais recente trabalho, Chasing Amy, é o terceiro filme de sua trilogia "New Jersey" sobre comportamentos e atitudes da geração X.

Filmes já exibidos na Mostra:

Clerks II (30ª Mostra)
Jay and Silent Bob Strike Back (25ª Mostra)
Chasing Amy (21ª Mostra)
KHAIRY BESHARA
Nasceu em 1947 no Egito, onde diplomou-se em 67, pelo Instituto Superior de Cinema. Rodou seu primeiro curta em 74 e estreou em longas em 76 com "Al Kadar Al Damiya" ("Destinos Sangrentos"). "O Colar e o Bracelete" é seu terceiro longa.

Filmes já exibidos na Mostra:

The Colar and the Bracelet (11ª Mostra)
KHALED GHORBAL
Born in 1950 in Tunisia. He studied theater at the Tunis Center for Dramatic Art, at the International University of Theater in Paris, and the famous Jacques Lecoq school for mimic. Multitalented, he is a theater director and actor, scenographer and film maker. His short film El Mokhtar, filmed in 1996, was selected for several international festivals.

Filmes já exibidos na Mostra:

Fatma (25ª Mostra)
KHALED YOUSSEF
Youssef Chahine - He was born in Alexandria, Egypt, in 1926. He studied at Alexandria University and Cinema and Drama at the Pasadena Play House in the U.S. Alvise Orfanelli, a pioneer in Egypt, produced his first feature Father Amine, in 1950. Ten years later with Le Fils du Nil, he participated for the first time of the Cannes Film Festival. In 1979, he was awarded a Silver Bear and the Grand Jury Prize at the Berlin Film Festival with Alexandrie, Pourquoi, first part of the autobiographical trilogy that would be completed with an An Egyptian Story (1982) and Alexandria Again and Forever (1990). He has a solid career of over 40 films including Destiny (21st Mostra), The Other (23rd Mostra), The Sixth Day (11th Mostra), the episode Egypt of the collective film 11’09’’01 - September 11 (26th Mostra), and Alexandria... New York (28th Mostra). Khaled Youssef - He was born in Cairo and studied Engineering. He worked as an assistant director for Youssef Chahine and co-wrote the scripts for his films Destiny (21st Mostra), The Other (23rd Mostra), and Alexandria... New York (28th Mostra). He has directed such features as The Storm (2000), My Soul Mate (2004), Ouija (2006) and Chaos (co-director).

Filmes já exibidos na Mostra:

Chaos (31ª Mostra)
KHALIL JOREIGE
Dois jovens realizadores libaneses que trabalham juntos há muitos anos, em Paris e em Beirute. Diplomados em Letras, com formação em cinema, escreveram e dirigiram vários curtas, entre eles The Agony of the Feet, 333 Sycamore e Faute d`identités. Em Volta da Casa Rosa é seu primeiro longa.

Filmes já exibidos na Mostra:

I Want to See (32ª Mostra)
Childhoods (31ª Mostra)
KHAVN
Born in Manila in 1973. His full name is Khavn de la Cruz. He is a poet, writer, composer and filmmaker. Since 2002, he directs a digital movie festival in Quezon, where he lives. He runs a company that produces digital movies, called Filmless Films, in which he made nine features and more than 30 short films, among which the ones that form the program Be Movies, exhibited in the Rotterdam International Film Festival.

Filmes já exibidos na Mostra:

Be Movies: Progam 01 (29ª Mostra)
Be Movies: Progam 02 (29ª Mostra)
KHUAT AKHMETOV
Director, script writer. Educated at the directors department of the High courses of directors and script writers (Master Gennady Poloka). Wind Man is he first feature film. The debut as a director of Khuat Akhmetov, he’s also a co-author of the script together with Odelsha Agishev. He is the author of several scripts. Has worked as a director and script writer for advertisement.

Filmes já exibidos na Mostra:

Wind Man (32ª Mostra)
KHUSHBOO RANKA
KHUSHBOO RANKA
Born in Mumbai, India. She studied documentary filmmaking at the Goldsmith`s College in London. She has directed the short film Continuum (2006) and co-wrote Ship of Theseus (2012). An Insignificant Man is her first feature film.

Filmes já exibidos na Mostra:

AN INSIGNIFICANT MAN (40ª Mostra)
KHYENTSE NORBU
Born in Bhutan, in 1961. At the age of seven, he was identified as the reincarnation of an important lama in Buddhist tradition. He studied Buddhist philosophy in Bhutan and in India. He directs a monastery and two colleges in Bhuddist philosophy. His first film experience was with Bernardo Bertolucci, in The Little Buddha (1993). He directed his first film, a comedy, The Cup, in 1999. His second feature, Travellers and Magicians is the first film ever made in Bhutan.

Filmes já exibidos na Mostra:

Travellers and Magicians (27ª Mostra)
KI DUK KIM
Born in 1960, in the north of the Province of Kyong-sang in Korea. In 1995, he won the prize for best script from the Korea Film Commission for Jaywalking. The following year, he directed his first feature, The Crocodile. In 1997 and 1998 respectively, he wrote and directed Wild Animals and Birdcage Inn (the film chosen for the opening of the Berlin Festival and winner of the World Film Award at the Noosa International Festival).

Filmes já exibidos na Mostra:

The Isle (24ª Mostra)
Address Unknown (25ª Mostra)
KIANOOSH AYYARI
Born in 1951, in Ahwaz, northeast of Iran, he began filming in Super-8 and, in the seventies, he was one of the most outstanding personalities in Iranian cinema. His most outstanding successes include The Monster (1986), Beyond the Fire (1987, selection for the 14th Mostra), Grand Day in a Small Town (1989), Two Halves of an Apple (1992), The Abadanis (1993, Silver Lion in Locarno), The Bull`s Horn (1996), and To Be or Not To Be (1998).

Filmes já exibidos na Mostra:

Iranian Spread (26ª Mostra)
KIANUSH AYYARI
Nasceu em 1951, iniciou a carreira em 1970, realizando filmes 8 mm que receberam prêmios em festivais dessa modalidade. Ayyari é sempre o roteirista de seus filmes.

Filmes já exibidos na Mostra:

Beyond the Fire (14ª Mostra)
KIHACHI OKAMOTO
Born 1924 in Tottori, Japan. In 1943, joined Toho as a production assistant, but soon after was recruited into military service. After the war, he was reinstated at Toho, serving as assistant director to Taniguchi Senkichi, Makino Masahiro, Naruse Mikio among others. In 1958, made his directorial debut with All About Marriage and in 1959 directed the successful Desperado Outpost. Demonstrated a talent for mass-producing entertainment films. Nikudan was produced by ATG (Art Theater Guild) in 1968. Established Kihachi Productions in 1974 where he continued to create enjoyable, high quality works such as Dixieland Daimyo (86) and Rainbow Kids (91). Consistently made every effort to criticize the war, Consistently backed by his personal experiences. Died at 81, on February 19, 2005, leaving a body of 39 works. His humor-filled stories, rhythmical tempo, original camera work and other idiosyncrasies are called the Kihachi Touch, which continues to fascinate many of his fans. THE “KIHACHI TOUCH” AND THE CENTENNIAL OF JAPANESE IMMIGRATION Japan of thousands of years becomes one hundred years old in Brazil. To celebrate the Centennial of Japanese Immigration, Mostra’s choice of films by Master Kihachi Okamoto (1924 - 2005) was not mere chance. Okamoto is the symbol of a golden age of Japanese cinema built up almost anonymously by altruistic talent, without the concept of authorship later common to the first generation of filmmaker critics of the French Cahiers du Cinéma. His films were intended to be shown in Japanese colony cinemas in São Paulo, without attracting the attention of the critics. Following orders from his studio, Okamoto adapted to every kind of film. A revision of his work enhances our esteem for his films with evidence from his exemplary personality that left a touch of beauty, even in unfavorable conditions, in the whirl of interests of the film studios. Just as in the life of the great studios, Okamoto’s history much resembles that of the Japanese immigrants to Brazil, especially to São Paulo - stories of altruistic pioneers that only time will uncover and that we can then admire. Kihachi Okamoto is a great filmmaker redeemed for later acknowledgment by generations of film lovers with films now raised to the category of masterpieces. In this retrospective, we will have the rare opportunity to witness Okamoto’s extraordinary qualities as a filmmaker who was at ease moving through all of the genera of Japanese cinema. Bruce Eder, American critic and a great connoisseur of Japanese cinema says that “If Kurosawa is the John Ford of samurai films, Okamoto is the Samuel Fuller of this genera”. And Susan Sontag went as far as to classify Okamoto, Akira Kurosawa and Kon Ichikawa under the same “fundamentally epic concept of cinema”. These observations are in the Cahiers du Cinéma España of April 2008 in an article by Roberto Cueto, on the occasion of the retrospective presented by Cinemateca Espanhola. Okamoto made classics both of his samurai and his gangster films, not only on the subject of the war that left its mark on him, but on the scene post-war, in a Japan rapidly adapting to conflictive modernity imposed by the victorious west. A great admirer of John Ford, he inserted his references to conflict in westerns in almost all of his films. In Desperate Outpost, for instance, of 1959, Okamoto transposed the elements of a western to the Manchurian front, right in the midst of World War II. He was a student of Meiji University and production assistant at the Toho studios when he came face to face with the horrors of war as a recruit at the age of 19, assigned to naval battles in the South Pacific in 1943. Enthralled as he was by cinema, his passion for American films and French comedies broke off temporarily. “It was a miracle I survived the war, since statistics show that the greater incidence of casualties were among those who, like myself, were born in 1924”, he later stated in an interview with American professor and writer Peter B. High. Marked as he was by the horrors of war, he is among the post-war authors of Japanese cinema including Yasuzo Masamura, Masaki Kobayashi, Kenji Misumi, and Seijun Suzuki (the 23rd Mostra paid Suzuki tribute with a retrospective). Once the war was over, Okamoto went back to the Toho studios in 1947, this time as assistant director to Senkichi Taniguchi, Masahiro Makino, Mikio Naruse, and Ishiro Honda. Almost ten years were to pass before the opportunity arose, in 1958, to direct his first feature All About Marriage. Just as in Ozu classics, a comedy of manners is a pretext to make of the film an excellent portrait of the times with all of the yearning and disquiet of his generation. His prestige in the studio was established with films subsequently on the underworld, the film noir and musical genera, on human conflict, the war and, invariably, to a remarkable extent, on samurai sagas. Two actors especially - Tatsuya Nakadai and Toshiro Mifune - contributed to promote his prestige as a filmmaker. With humor unique, control over time, camera moves and other idiosyncrasies true to Japanese descendants, he now fascinates scores of admirers worldwide who in these, his attributes, can identify the unmistakable “Kihachi Touch”. Confident as to this same touch, he founded his own film company, Kihachi Productions in 1974. He died in 2005 at the age of 81 and left a total of 39 films - mostly yet to be known. The Okamoto Retrospective is being presented in São Paulo in collaboration with Tokyo Filmex, Toho, The National Museum of Modern Art Tokyo, The Japan Foundation Film Library Tokyo, Fundação Japão de São Paulo, National Film Center Tokyo, Cinemateca Brasileira, and Minako Okamoto producers. Minako Okamoto is Kihachi Okamoto’s widow. Leon Cakoff

Filmes já exibidos na Mostra:

Battle of Okinawa (32ª Mostra)
The Age of Killers (32ª Mostra)
The Sword of Doom (32ª Mostra)
The Elegant Life of Mr. Everyman (32ª Mostra)
Nikudan / Human Bullet (32ª Mostra)
Desperado Outpost (32ª Mostra)
Fort Graveyard (32ª Mostra)
Red Lion (32ª Mostra)
The Emperor and a General (32ª Mostra)
The Last Gunfight (32ª Mostra)
Oh, My Bomb! (32ª Mostra)
Kill (32ª Mostra)
Procurer Of Hell (32ª Mostra)
All About Marriage (32ª Mostra)
KIJU YOSHIDA
Born in 1933, in Fukui, Japan. He studied French Literature and, in 1955, joined Shochiku producers as Assistant Director to Keisuke Kinoshita. He directed his first film in 1960 with Good-for-Nothing. He was first noticed by the critics in 1962, with An Affair at Akitsu, A Story Written with Water (1965), The Affair (1967), Eros + Massacre (1969) and Heroic Purgatory (1970), dealing with political and sexual themes. Yoshida always refused interference with his work and, after he filmed Coup D’Etat (1973), he made documentaries for TV and for the cinema. He went back to fiction in 1986, with A Promise, followed by Wuthering Heights (1988), an adaptation of the novel by the same name by Emily Brontë. Women at the Mirror (2002), his last film, is programmed for the 27th Mostra.

Filmes já exibidos na Mostra:

An Affair at Akitsu (27ª Mostra)
Eros Plus Massacre (27ª Mostra)
Coup D’etat (27ª Mostra)
A Story Written With Water (27ª Mostra)
Women in the Mirror (27ª Mostra)
Onimaru (27ª Mostra)
A Promise (27ª Mostra)
KIKA NICOLELA
Graciela Rodriguez Naturalized Brazilian, she was born in Montevideo, Uruguay. She majored in sociology, and has worked as scenographer, costume designer, and actress. Since 1999, she has researched experimental video and photography. Woman Cries Out! is her first experience in film making. Kika Nicolela Majored in cinema and video from ECA/USP, in 1999, and began a career as assistant director and producer for features. In 2002, she completed a course in cinema at the University of California and founded Dilema Studio producers and has, since then, produced experimental videos and documentaries.

Filmes já exibidos na Mostra:

Woman Cries Out! (29ª Mostra)
KIKE MESA
o documentário El Hombre Tranquilo, um estudo sobre as origens da violência, apresentado no MERCADOC 2001 (Mercado Internacional de Documentários)

Filmes já exibidos na Mostra:

Jesús Franco Way of Life (32ª Mostra)
KIKO GOIFMAN
Born in Minas Gerais, in 1970. He graduated in anthropology by the Federal University of Minas Gerais, with training in political theory of communication. He holds a Master’s degree in multimedia by the University of Campinas. As a documentarist, he produced films such as the series Paisagens Urbanas, O Pintor (on Iberê Camargo), and co-produced Caligrama, by Eliane Caffé and Enigma de um Dia, by Joel Pizzini. He also made Tereza (on day-to-day life in a prison), Clones, Bárbaros, Replicantes, and Olhos Pasmados (on violence directed at the aged).

Filmes já exibidos na Mostra:

33 (27ª Mostra)
Acts of Men (30ª Mostra)
Look At Me Again (35ª Mostra)
KIKO MOLLICA
Born in Viçosa, Minas Gerais, in 1970. He graduated in Social Communications from the Federal University of Minas Gerais (UFMG) and has worked as a reporter on Canal Brasil since 1999, where he also works as a producer and director. His film debut was the short film Seu pai já disse que isso não é brinquedo (2003). In the same year, he won the International One-Minute Film Festival with his short film Todas as Horas.

Filmes já exibidos na Mostra:

Scenography of a Lifetime (33ª Mostra)
KILIAN DELLERS & GACY

Filmes já exibidos na Mostra:

Gaby`s Ass (7ª Mostra)
KIM BARTLEY E DONNACHA O’BRIEN
Kim Bartley Independent director and producer, she directs documentaries for several humanitarian organizations in Africa and South America. Donnacha O`Brien Independent director and producer, he has worked in productions in Russia, Asia, and Australia.

Filmes já exibidos na Mostra:

Coup D’état Contre Hugo Chávez (29ª Mostra)
KIM BYEONG-SEO
KIM BYEONG-SEO
He worked as a cinematographer in several Korean pictures, such as Dangerous Liaisons (2012), selected for the Director’s Fortnight at the Cannes Film Festival. Cold Eyes is his first feature film as a director.

Filmes já exibidos na Mostra:

Cold Eyes (37ª Mostra)
KIM EKBERG
KIM EKBERG
Born in Sweden in 1989. Studied cinema at the Valand Academy in Göteborg. Codirected the short Den Dansande Kroppen (2015) with Gustav Ågerstrand and the features Blodigt Jävla Helvete (2008) alongside Victor E. Kerschner, Jonatan Lyrefelt and Stefan Ramstedt, and The Girl with the Videocamera (2011), also directed by Johannes Hagman. He is currently working with the cross disciplinary art collective Gladboll.

Filmes já exibidos na Mostra:

THE WIND BLOWETH WHERE IT LISTETH (41ª Mostra)
KIM GWANG HUN
KIM GWANG HUN
Born in North Korea, 1963. He studied film at the Pyongyang University of Drama and Cinema, beginning his career as an assistant director for Korea 4.25 Film Studio and later directing the features Unforgettable Man (2002), Watch Us (2008) and Great Bear (2009). Comrade Kim Goes Flying is his fourth feature film.

Filmes já exibidos na Mostra:

Comrade Kim Goes Flying (37ª Mostra)
KIM JI WOON
Ator, diretor de arte, roteirista e autor de peças teatrais, Kim Ji-Woon estréia na direção com este Tudo em Família.

Filmes já exibidos na Mostra:

The Quiet Family (22ª Mostra)
KIM JIN-A
KIM JIN-A
Born in 1973 in South Korea. She teaching classes at Korea National University of Arts and Harvard in the US. She directed the documentaries Kim Gina-eui bidio ilgi (2002) and Faces of Seoul (2009) and the features Invisible Light (2003) and Never Forever (2007).

Filmes já exibidos na Mostra:

Final Recipe (37ª Mostra)
KIM KI-DUK
KIM KI-DUK
Born in Kyungbook, South Korea, in 1960. He studied fine arts in Paris. He worked as a screenwriter before making his debut in direction with Crocodile (1996). He also directed, among others, The Isle (2000, 24 th Mostra), Address Unknown (2001, 25 th Mostra), Spring, Summer, Autumn, Winter... and Spring (2003), 3-Iron (2004, 28 th Mostra), Samaritan Girl (2004), winner of Best Director Award at the Berlin Film Festival, The Bow (2005), Time (2006, 30 th Mostra), Pieta (2012), winner of Golden Lion at the Venice Film Festival, and The Net (2016, 40 th Mostra).

Filmes já exibidos na Mostra:

THE NET (40ª Mostra)
Bin Jip (28ª Mostra)
HUMAN, SPACE, TIME AND HUMAN (42ª Mostra)
Time (30ª Mostra)
KIM KI-YOUNG
KIM KI-YOUNG
Born in Seoul in 1919, he spent part of his childhood in Japan where he discovered film and the theater. Kim found employment making propaganda films for the United States Information Service. In the 1950s, he started producing popular melodramas. His films met with some commercial and critical success, but his style did not fully mature until The Housemaid (1960). Despite a sharp increase in government censorship during the 1970s, Kim continued to make films, including Insect Woman (1972) and Iodo (1977). He influenced current South Korean filmmakers such as Kim Ki-duk, Bong Joon-ho, Park Chan-wook and Im Sang-soo, who directed a remake of The Housemaid in 2010. He died in 1998 in a fire in his house.

Filmes já exibidos na Mostra:

The Housemaid (37ª Mostra)
KIM LANDSTRA
A young Dutch documentary maker, age 31, Landstra lives in the city of Baarn. Having majored in History of Art, he later studied at the Utrecht College of Arts from 1991 until 1995, when he graduated in Audiovisual Media. In 1993, he made a documentary in Betacam on student interchange between Kiev (Russia) and Holland, making clear his social interest over the issue of displacement among culturally diverse countries. He made Retour Saravejo in 1998, on the ill-fated policy of causing Bosnians to return after the war.

Filmes já exibidos na Mostra:

In a White Man`s Land (24ª Mostra)
KIM MIN-SUK
KIM MIN-SUK
A South Korean screenplay writer and director, he worked as an assistant director in The Bad, The Good, The Weird (2008), by Kim Jee-woon, and in The Host (2006), by Bong Joon-ho. He directed the short-film Memories of Old Boy (2004). Haunters is his first feature film.

Filmes já exibidos na Mostra:

Haunters (35ª Mostra)
KIM MORDAUNT
KIM MORDAUNT
Born in 1966 in Australia. He earned a BA in communications from the University of Technology in Sydney and then a diploma in acting from the London Academy of Music and Dramatic Arts. He has taught at the United Nations International school in Hanoi and has worked as a cameraman, producer, writer and director. The Rocket is his fiction feature debut.

Filmes já exibidos na Mostra:

The Rocket (37ª Mostra)
KIM NGUYEN
KIM NGUYEN
Born in Montreal, Quebec, in 1974. His previous feature films were Le Marais (2002), Truffe (2008), and La Cité (2010). War Witch, filmed in Congo, is his fourth feature film.

Filmes já exibidos na Mostra:

War Witch (36ª Mostra)
KIM ROSSI STUART
Born in Rome, Italy, in 1969. He studied drama and, as an actor, performed professionally in cinema in The Name of the Rose (1986), by Jean-Jacques Annaud. He has subsequently performed in films by renowned directors such as Michelangelo Antonioni (Beyonf the Clouds, 1995, selection for the 19th Mostra), Roberto Benigni (Pinocchio, 2002), and Gianni Amelio (Le Chiavi di Casa, 2004). Anche Libero Va Bene is his first film behind the cameras.

Filmes já exibidos na Mostra:

Along the Ridge (30ª Mostra)
KIM TAE-GON
KIM TAE-GON
Born in 1979. He graduated from the department of film studies at Chung-ang University. He directed the feature The Pot (2008). Sunshine Boys is his second feature film.

Filmes já exibidos na Mostra:

Sunshine Boys (37ª Mostra)
KING WAI CHEUNG

Filmes já exibidos na Mostra:

Man Ching’s Interview (27ª Mostra)
KINGA DĘBSKA
KINGA DĘBSKA
Born in Poland, she worked as a journalist before becoming a screenwriter and director. Studied filmmaking in Prague and Japanese in Warsaw. Directed the feature film Hel (2009). These Daughters of Mine is her second fictional feature film.

Filmes já exibidos na Mostra:

THESE DAUGHTERS OF MINE (39ª Mostra)
Kira Kovalenko
Kira Kovalenko

Born in Nalchik, Russia, in 1989. She is a writer and director graduated from the Kabardino-Balkaria State University. Kira made the shorts films Marevo (2012), The Sky Seemed Too High (2013) and They Abandoned Me (2014), in addition to the feature Sofichka (2016). Unclenching the Fists (2021) is her second feature film.

Filmes já exibidos na Mostra:

Unclenching the Fists (45ª Mostra)
KIRA MURATOVA
Nasceu em 1934. Estudou Filologia na Universidade de Moscou e também estudou Cinema. Teve dois filmes proibidos ("Korotkie Vstreci", 67; e "Dolgie Provody",71). Dirigiu ainda "Poznavaja Belyj Svet"(78) e "Peremena Ucasti"(87).

Filmes já exibidos na Mostra:

Síndrome Astênica (17ª Mostra)
KIRBY DICK
He is an award-winning filmmaker whose last four feature films have premiered at the Sundance Film Festival. His previous work includes Sick: The Life & Death of Bob Flanagan, Supermasochist (1997), Chain Camera (2001), Derrida (2002), and Twist of Faith (2004). He wrote the screenplay for Guy, by Michael Lindsay-Hogg (20th Mostra).

Filmes já exibidos na Mostra:

This Film Is Not Yet Rated (31ª Mostra)
Outrage (33ª Mostra)
KIRILL MIKHANOVSKY
Born in Moscow. In his teens, he moved with his family to the U.S. He began his career as actor in short films made by his colleagues at the University of Wisconsin. He directed his first short film, Terra Terra, at this time and was invited to take part in a number of festivals. He wrote and directed another three. Sonhos de Peixe is his first feature and was awarded the Regards Jeune prize during Critics Week at the 2006 Cannes Film Festival.

Filmes já exibidos na Mostra:

Sonhos de Peixe (30ª Mostra)
Kirill Serebrennikov
Kirill Serebrennikov

Born in Rostov-on-Don, Russia, in 1969. Russian stage, television and film director, he was the artistic director of the Gogol Center from 2012 until 2021. Serebrennikov directed, among others, the feature films Ragin (2004), Playing the Victim (2006), Yuriev Den (2008), Betrayal (2012), The Student (2016, 40th Mostra) and Summer (2018, 42th Mostra), presented and awarded at film festivals like Cannes, Veneza, Locarno, San Sebastián, Tribeca and Karlovy Vary.

Filmes já exibidos na Mostra:

Petrov`s Flu (45ª Mostra)
THE STUDENT (40ª Mostra)
SUMMER (42ª Mostra)
KIRSI MARIE LIIMATAINEN
KIRSI MARIE LIIMATAINEN
She studied dramatic arts at Tampere University, having worked as an actress in TV, radio, theatre, and film in Finland. From 1999 to 2006, she studied directing at The Film and Television University Konrad Wolf in Berlin. She has directed the short documentary Modlichan toinen perhe (2001), the medium-lengh film The Time of the

Filmes já exibidos na Mostra:

Fortress (36ª Mostra)
KIRSTEN JOHNSON
KIRSTEN JOHNSON
Graduated from Brown University in 1987 with a BA in Fine Arts and Literature. After two years in West Africa working on local fiction and documentary film projects, she attended the Fémis, French National Film School, in Paris. She work as cinematographer on over 40 documentaries such as Kirby Dick’s This Film Is Not Yet Rated (2006, 31st Mostra), and Laura Poitras’ Citizenfour (2014). She also directed Deadline (2004). Cameraperson is her second documentary.

Filmes já exibidos na Mostra:

CAMERAPERSON (40ª Mostra)
KIRSTEN SHERIDAN
The director was born in Dublin in Ireland in 1976. She graduated as script writer from the University of New York in 1993. She then studied cinema at the University of Dublin and at Dun Laoghaire College (Irish school for cinema). She worked in producing and making the scripts for several films. Disco Pig is her first feature.

Filmes já exibidos na Mostra:

Disco Pigs (25ª Mostra)
Kislay
Kislay

Kislay studied at the Film and Television Institute of India, in Pune. Before his foray into films, he was an active member of the Delhi theatre community and directed five plays between 2006 and 2010. Kislay also made three independent shorts. Just Like That is his first feature film.

Filmes já exibidos na Mostra:

Just Like That (44ª Mostra)
KITI LUOSTARINEN
Nascida em 1951, Kiti Luostarinen é formada em Filosofia pela Universidade de Helsinque. Roteirista e diretora, realizou diversos documentários e curtas, entre eles I Heard a Voice, de 1989, An Angel Flew Over, de 1990, e Tell Me What You Saw, de 1993, premiado como Melhor Documentário na Noruega.

Filmes já exibidos na Mostra:

Curvas Graciosas (21ª Mostra)
KIUR AARMA
Was born in Tallin, Estonia, in 1975. Graduated in Semiotics and Cultural Theory. Between 1997 and 2007, he worked as host of several talk-shows. He has written and produced the documentaries Sinimäed (2006) and Lotmani Maailm (2008).

Filmes já exibidos na Mostra:

Disco and Atomic War (34ª Mostra)
KıVANÇ SEZER
KıVANÇ SEZER
Born in Ankara, Turkey, in 1982. He graduated at engineering before moving to Italy, where he studied at the Cineteca di Bologna. Back to Turkey, he worked as an editor on TV projects and documentaries. He also directed several shorts. My Father’s Wings is his first feature film.

Filmes já exibidos na Mostra:

MY FATHER`S WINGS (40ª Mostra)
KIYOSHI KUROSAWA
KIYOSHI KUROSAWA
Born in Kobe, Japan, in 1955, he studied sociology at Rikkyo University. Kurosawa is the director of movies such as Cure (1997), Pulse (2001), Bright Future (2003), Retribution (2006), Tokyo Sonata (2008, 32nd Mostra), winner of the Jury Prize of the section Un Certain Regard at the Cannes Film Festival, and Journey to the Shore (2015, 39th Mostra).

Filmes já exibidos na Mostra:

DAGUERROTYPE (40ª Mostra)
JOURNEY TO THE SHORE (39ª Mostra)
Tokyo Sonata (32ª Mostra)
KJELL AKE ANDERSSON
Nasceu em 1949. Estudou Cinema na Universidade de Lund. Também estudou fotografia em Estocolmo, de 1972 a 1973, tendo publicado um livro de fotos sobre os mineiros do País de Gales. Formou-se em Fotografia Cinematográfica no Instituto de Arte Dramática de Estocolmo. Realizou diversos documentários e programas para a TV. Seu primeiro longa foi "Friends"(89).

Filmes já exibidos na Mostra:

My Great Big Daddy (17ª Mostra)
Family Secrets (25ª Mostra)
KLAAS RUSTICUS
Nasceu em 1942. Trabalhou na televisão e foi diretor de teatro, tendo trabalhado na Holanda e na Alemanha. Entre seus filmes estão "Professor Vreemdeling"(75/76), "Over en Sluiten"(83) e "De duizend kersebomen van Yoshitsune"(85), sobre o teatro Kabuki do Japão.

Filmes já exibidos na Mostra:

Elias (17ª Mostra)
KLAUDIA REYNICKE
KLAUDIA REYNICKE
Born in Lima, Peru, in 1976. Grew up between Peru, Switzerland and the United States. She studied film at the Lausanne Cantonal Art School. Klaudia directed some short movies, such as La Chienne (2010) and Mermaids (2014), and the documentary for the television Il Matrimonio (2014). Il Nildo is her first feature film.

Filmes já exibidos na Mostra:

IL NIDO (41ª Mostra)
KLAUS GENGNAGEL
Nasceu em 1955, em Worms am Rhein, Alemanha Ocidental. Estudou Teatro e por três anos foi ator e diretor no Gaukelstuhl Theaterkollektiv. "Ether Delirium" é seu longa de estréia.

Filmes já exibidos na Mostra:

Ether Delirium (13ª Mostra)
KLAUS HÄRÖ
KLAUS HÄRÖ
Born in Porvoo, Finland, in 1971, he studied direction in Helsinki. He won the Crystal Bear at the Berlin International Film Festival with his feature debut, Elina: As If I Wasn’t There (2002). He also directed movies such as Mother of Mine (2005) —winner of the Jury Prize for best actress (Maria Lundqvist) and of the Youth Award at the 30th Mostra—, The New Man (2007) and Letters to Father Jacob (2009).

Filmes já exibidos na Mostra:

Mother of Mine (30ª Mostra)
THE FENCER (39ª Mostra)
KLAUS HUNDSBICHLER
He was born in Kufstein in the Tirol, Austria, and studied drama at the University of Vienna, and directing and editing at the Film Departament of the University of Music and Performing Arts in Vienna. He has been active in the film industry since 1975. He has edited films such as Alexander Hahn’s Midsummer Madness, Robert Dornhelm’s Der Unfisch (1996, 21st Mostra) and The Venice Project (1998, 23rd Mostra), countless music videos, documentaries and commercials. As director, his work includes films for TV such as Tom und ide Biberbande (2001).

Filmes já exibidos na Mostra:

World Revolution (33ª Mostra)
KLAUS KRAEMER
Born in Gosheim, Germany, in 1964. After studying technical design, he worked as a theater stage lighting technician and, finally, as assistant director of the Municipal Theater of Freiburg. This black humor comedy marks his début in film making and, also, his graduate work at the German Academy for Cinema and Television in Berlin.

Filmes já exibidos na Mostra:

Three Chinamen With a Double Bass (24ª Mostra)
KLEBER MENDONÇA FILHO
KLEBER MENDONÇA FILHO
Born in Recife, Brazil, in 1968. He studied journalism at the Universidade Federal de Pernambuco. He developed his career as a critic and journalist, writing for the Jornal do Comércio newspaper. He is also a curator for the film festival Janela Internacional de Cinema do Recife. He began his directorial career with the short films The Little Cotton Girl (2003), Green Vinyl (2004), Eletrodoméstica (2005), Friday Night Saturday Morning (2006), and Cold Tropics (2009). He directed the feature-length documentary Crítico (2008). Neighboring Sounds, his first dramatic feature, won the Fipresci (international critics) Award at the 2012 Rotterdam Film Festival.

Filmes já exibidos na Mostra:

Neighboring Sounds (36ª Mostra)
KNUT ERIK JENSEN
Roteirista e diretor norueguês responsável por vários curtas, documentários e minisséries de TV. Sua estréia na direção de longas foi com Stella Polaris, de 1992. Queimando de Frio é seu segundo longa.`

Filmes já exibidos na Mostra:

Cool and Crazy (25ª Mostra)
Cool and Crazy on the Road (27ª Mostra)
Queimando de Frio (22ª Mostra)
Ko Chen-nien
Ko Chen-nien

Taiwanese director and scriptwriter, she made the short films Horse with No Name (2010) and Under the Water (2014). The Silent Forest is her debut feature film.

Filmes já exibidos na Mostra:

The Silent Forest (45ª Mostra)
KOHEI IGARASHI
KOHEI IGARASHI
Born in Japan in 1983. Graduated in cinema, he made his debut with the feature film Voice of Rain That Comes at Night (2008). Hold Your Breath like a Lover (2014) was his graduation work at the Tokyo University of Arts.

Filmes já exibidos na Mostra:

THE NIGHT I SWAN (41ª Mostra)
KOHEI OGURI
Nasceu em Gunma, Japão, em 1945. Sua estréia cinematográfica ocorreu em 1981, com "Muddy River", filme que lhe valeu um troféu de prata no Festival Internacional de Moscou e a indicação ao Oscar de melhor filme estrangeiro. Seu segundo longa, "Kayako", abordando a vida dos imigrantes coreanos no Japão, obtém o Prêmio Georges Sadoul. Mas é com seu terceiro filme, "O Ferrão da Morte" (de 1990, exibido na 15ª Mostra Internacional) que ele atinge aclamação mundial. Com esta obra, ele acumula o Prêmio da Crítica Internacional e o Grande Prêmio do Júri no Festival de Cannes. Realizador exigente e rigoroso, depois disso Oguri passou seis anos sem filmar. "O Homem que Dorme" é seu primeiro trabalho desde então.

Filmes já exibidos na Mostra:

O Ferrão Da Morte (15ª Mostra)
Sleeping Man (20ª Mostra)
KOHKI HASEI
KOHKI HASEI
Born in Okayama, Japan, in 1975. Worked with music and fashion videos. In 2001, he shot his first documentary W/O. Also directed the documental short Godog (2008). Blanka is his first fiction feature film.

Filmes já exibidos na Mostra:

BLANKA (40ª Mostra)
KOHKI YOSHIDA
KOHKI YOSHIDA
Born in Japan in 1980. He studied film at the Zokei University, in Tokyo. He made his debut in feature films direction in 2007 with Symptom X. Yoshida is also the director of films such as Household X (2010) and Tokyo Bitch I Love You (2013).

Filmes já exibidos na Mostra:

THREE LIGHTS (41ª Mostra)
KOJI IMAIZUMI
Born in Tokyo, Japan, in 1959. He studied Cinema at the University of Nihon. He began his career directing commercials and videos. He also worked as assistant director to film maker Kohei Oguri. Abong: Small Home is his first feature.

Filmes já exibidos na Mostra:

Abong: Small Home (29ª Mostra)
KOJI MORIMOTO

Filmes já exibidos na Mostra:

Memórias (20ª Mostra)
KOJI WAKAMATSU
Was born in Wakuya, Japan, in 1936. Moved to Tokyo and after a series of small jobs became a yakuza. After his spell in prison, he started writing and working on television from 1959 onwards. Following the initial success of his erotic films, he founded his own production company. Through his career, has directed more than 100 films, amongst them Secrets Behind the Wall (1965), Go Go Second Time Virgin (1969), Sex Jack (1970), A Pool Without Water (1982), Endless Waltz (1995) and United Red Army (2007). Caterpillar was awarded the Silver Bear for Best Actress for Shinobu Terajima at the Berlin Festival.

Filmes já exibidos na Mostra:

Caterpillar (34ª Mostra)
KÔJI WAKAMATSU
KÔJI WAKAMATSU
Born in Wakuya, Japan, in 1936. He moved to Tokyo and after a series of small jobs became a yakuza. After his time in prison, he started writing and working in television from 1959 onwards. Following the initial success of his erotic films, he founded his own production company. Through his career, has directed more than 100 films, amongst them Secrets Behind the Wall (1965), Go Go Second Time Virgin (1969), Sex Jack (1970), A Pool Without Water (1982), Endless Waltz (1995), United Red Army (2007) and Caterpillar (2010, 34th Mostra), winner of the Silver Bear for Best Actress (Shinobu Terajima) at the Berlin Film Festival.

Filmes já exibidos na Mostra:

11/25 The Day Mishima Chose His Fate (36ª Mostra)
KOLDO SERRA

Filmes já exibidos na Mostra:

Amor de Madre (24ª Mostra)
KORDIAN PIWOWARSKI
KORDIAN PIWOWARSKI
Born in Warsaw, Poland, in 1978. He graduated from the directing department of the Polish National Film School in 2004 and also studied philosophy at the Universidad Salamanca in Spain. In 2006, he was the assistant director to Andrzej Wajda in Katy_ (32nd Mostra). He directed the short film Londoners 2 (2009) and the television series Na Dobre I Na Z_e (2010). Baczynski is his first feature film as a director.

Filmes já exibidos na Mostra:

Baczynski (37ª Mostra)
KORE-EDA HIROKAZU
Was born in Tokyo in 1962. After graduating from the Literature Department of Waseda University, Kore-eda joined TV Man Union, a large, independent television production company, where he has directed many prize-winning documentaries. His first feature film, Maborosi (1995, 20th Mostra), won the Ozella d’Oro at the Venice Film Festival. His second feature, After Life (1999, 22nd Mostra), was distributed in over 30 countries. He also directed Distance (2001); Nobody Knows (2004, 28th Mostra), best actor prize at Cannes; Hana (2006, 31st Mostra) and Still Walking (2008, 33rd Mostra).

Filmes já exibidos na Mostra:

Air Doll (34ª Mostra)
Kornél Mundruczó
Kornél Mundruczó

Born in Hungary in 1975. He studied at the University of Theatre and Film Arts, in Budapest, and began his career as an actor. Mundruczó has directed the short films Joan of Arc on the Night Bus (2003) and Lost and Found (2005), in addition to features such as Pleasant Days (2002, 27th Mostra), awarded at Locarno Film Festival, Johanna (2005, 29th Mostra), Tender Son - The Frankenstein Project (2010, 34th Mostra), Delta (2008), winner of the Critics Prize at Cannes Film Festival, White God (2014), winner of the Un Certain Regard section at Cannes Film Festival, Jupiter’s Moon (2017, 41st Mostra) and Pieces of a Woman (2020), awarded at Venice International Film Festival and an Academy Award nominated.

Filmes já exibidos na Mostra:

Pleasant Days (27ª Mostra)
Evolution (45ª Mostra)
Johanna (29ª Mostra)
JUPITER`S MOON (41ª Mostra)
Tender Son - The Frankenstein Project (34ª Mostra)
KRISTIAN LEVRING
Nasceu em 1957. Depois de concluir seus estudos na Dinamarca e na Suíça, segue uma formação na área de montagem cinematográfica na Academia do Filme Dinamarquês. Após ter atuado com montador em documentários e longas-metragens, produz ele mesmo dois filmes. A partir de 1988, começa a criar peças publicitárias. Em 1995, associa-se a Lars Von Trier (Os Idiotas), Thomas Vinterberg (Festa de Família) e Sorn Kragh-Jacobson (Mifune). Juntos lançam o Dogma 95, célebre manifesto que prega a reinvenção das formas de criação e produção, por um novo cinema, livre de trucagens e efeitos.

Filmes já exibidos na Mostra:

The King Is Alive (24ª Mostra)
Kristian Petri
Kristian Petri

Born in Ärtemark, Sweden, in 1956. His two shorts films, Once Upon a Time (1991) and The Crack (1992), were both selected for the Critics` Week at Cannes Film Festival. His first feature film, Between Summers (1995), was screened at the 19th Mostra and at Directors’ Fortnight at Cannes. He also made, among documentaries and fictions, Lighthouse (2000), Tokyo Noise (2002), Details (2003), Bad Faith (2010) and Winter Light Revisited (2018), in addition to numerous television productions.

Filmes já exibidos na Mostra:

Between Summers (19ª Mostra)
The Most Beautiful Boy In The World (45ª Mostra)
KRISTIENE CLARKE
Nasceu em Sheffield e atualmente mora em Londres. Estudou teatro, inglês, cinema e televisão. Trabalhou em Teatro e começou a produzir para a televisão Britânica em 1986. Seu primeiro filme foi Sex Change - Shock!Horror!Probe! (87)

Filmes já exibidos na Mostra:

Sandra Bernhard : Confession of a Pretty Lady (18ª Mostra)
KRISTINA BUOZYTE
Born in 1982, Klaipeda, Lithuania, she is a director who got cinematic practice in making short films, music videos, participating in several workshops and seminars and working as a script supervisor in different film sets. Her short film Change the Record won the prize for best documentary script in Summer Media Studio. The Collectress is her first feature film and won the Silver Crane Award for best film in Lithuania.

Filmes já exibidos na Mostra:

The Collectress (32ª Mostra)
Kristina Grozeva
Kristina Grozeva
Kristina and Petar were born in Bulgaria in 1976 and in 1982, respectively. They studied at the Krastyo Sarafov National Academy for Theatre and Film Arts (NATFA) in Sofia. They made several short films before starting work together. They directed the TV movie Forced Landing (2010), the short Jump (2013), and the feature films The Lesson (2014) and Glory (2016, 40th Mostra).

Filmes já exibidos na Mostra:

GLORY (40ª Mostra)
THE FATHER (43ª Mostra)
Kristina Lindström
Kristina Lindström

Filmmaker, journalist and author. Among her work as an author, is the trilogy about Swedish history. As a filmmaker, she has directed several documentaries, including Palme (2012) and the TV works Astrid Lindgren (2014) and Silence (2020).

Filmes já exibidos na Mostra:

The Most Beautiful Boy In The World (45ª Mostra)
KRISTOF GEREGA
KRISTOF GEREGA
Born in Wrocław, Poland, in 1981. He is a filmmaker, author, producer and actor. He grew up in Poland and Germany. He graduated in drama and now studies philosophy, sociology and ethnology at the Humboldt University in Berlin. He codirected the feature Oilfields Mines Hurricanes (2014). No Longer Our Homeland is his first solo feature film.

Filmes já exibidos na Mostra:

NO LONGER OUR HOMELAND (40ª Mostra)
KRZYSZTOF KIEŚLOWSKI
KRZYSZTOF KIEŚLOWSKI
Born in Warsaw, Poland, in 1941, and studied film at the Lodz Film School. He gained international acclaim with The Decalogue (1988), a series of ten films originally filmed for television. Two episodes were expanded into feature films: A Short Film About Love (1988), winner of the Audience Award at the 13th Mostra, and A Short Film About Killing (1988), which won both the Jury and the International Critics Prize at Cannes. He directed films like Camera Buff (1979, 5ª Mostra), Blind Chance (1987), The Double Life of Veronique (1992, 16th Mostra) and The Three Colors Trilogy: Blue (1993, 17th Mostra), White (1994) and Red (1994, 18th Mostra). He died in 1996, two years after announcing his retirement.

Filmes já exibidos na Mostra:

THREE COLORS: RED (38ª Mostra)
THREE COLORS: WHITE (38ª Mostra)
THREE COLORS: BLUE (38ª Mostra)
Amador (5ª Mostra)
TALKING HEADS (40ª Mostra)
City Life (14ª Mostra)
CURRICULUM VITAE (40ª Mostra)
FROM THE CITY OF LODZ (40ª Mostra)
Decálogo (13ª Mostra)
DECALOGUE I (40ª Mostra)
DECALOGUE II (40ª Mostra)
DECALOGUE III (40ª Mostra)
DECALOGUE IV (40ª Mostra)
DECALOGUE IX (40ª Mostra)
DECALOGUE V (40ª Mostra)
DECALOGUE VI (40ª Mostra)
DECALOGUE VII (40ª Mostra)
DECALOGUE VIII (40ª Mostra)
DECALOGUE X (40ª Mostra)
A Short Film About Love (13ª Mostra)
A Short Film About Killing (13ª Mostra)
NIGHT PORTER´S POINT OF VIEW (40ª Mostra)
SEVEN WOMEN OF DIFFERENT AGES (40ª Mostra)
KRZYSZTOF KRAUZE
Married, the directors have been working together for ten years. Joanna Kos-Krauze was born in 1972 and studied Polish Language and Hebrew Literature at Warsaw University. Krzysztof Krauze was born in 1953 and graduated from the Lodz School of Cinema. In 2004, the couple filmed My Nikifor that was awarded prizes in the main categories of the official Eagle Award of Poland and also at the Karlovy Vary Film Festival. This was the first film credited to both. Krzysztof began filming in 1980 with a short film Deklinacja. He made his first feature in 1988 with New York, 4 A.M. and subsequently Street Games (1996) and The Debt (1999), also winner of the main categories of the Eagle Award.

Filmes já exibidos na Mostra:

Savior’s Square (31ª Mostra)
KRZYSZTOF ZANUSSI
KRZYSZTOF ZANUSSI
Born in Poland. A polyglot, he developed an international career as a film and theater director. Among other awards, he won the Jury Prize at the Cannes Film Festival by Constant Factor (1980) and the Golden Lion at the Venice Film Festival for The Year of Quiet Sun (1984). The Silence Touch (1993) was screened at the 18th Mostra. He has also directed And a Warm Heart (2008) and Revisited (2009).

Filmes já exibidos na Mostra:

FOREIGN BODY (38ª Mostra)
The Silent Touch (17ª Mostra)
Kuang-Hui Liu
Kuang-Hui Liu

Liu is an actor, director and screenwriter. He worked in television, acting and also directing series, like Hello Again! (2019). In the movies, he directed the feature 22nd Catch (2016). Your Name Engraved Herein is his second film.

Filmes já exibidos na Mostra:

Your Name Engraved Herein (44ª Mostra)
KUBA CZEKAJ
KUBA CZEKAJ
Born in Poland in 1984. Screenwriter and director. Graduated in directing at the Krzysztof Kiéslowski Radio and Television Faculty and at the Wajda School. He made several short films like Don’t Be Afraid of the Dark Room (2009) and Twist & Blood (2010). Baby Bump is his first feature.

Filmes já exibidos na Mostra:

BABY BUMP (40ª Mostra)
KURT GLOOR
Nasceu em Zurique em 1942. Freqüentou a escola de artes decorativas e trabalhou em artes gráficas. Empregou-se em diferentes estúdios de Zurique e Viena até 1969, ano em que fundou sua produtora e definiu-se como autodidata em cinema. Entre os anos de 1967-73 roda curtas e diversos documentários. Seu primeiro longa-metragem de ficção é de 1975.

Filmes já exibidos na Mostra:

O Homem Sem Memória (9ª Mostra)
KURT VOELKER
Born in Dallas, Texas, and majored in American history and literature from Harvard University. He studied cinema at the University of California and completed his studies with a medium-length film Decade of Love (1995), part of 22 festivals the world over. In the last eight years, he also wrote scripts for Disney, Paramount and Warner. Park is his first feature.

Filmes já exibidos na Mostra:

Park (30ª Mostra)
KUTLUG ATAMAN
Estudou Cinema no Instituto de Cinema da Turquia, na Sorbonne (Paris) e na Universidade da Califórnia (UCLA). Dirigiu os curtas Hansel and Gretel (85) e La Fuga. Este é seu primeiro longa.

Filmes já exibidos na Mostra:

The Serpent`s Tale (18ª Mostra)
KWAMI MAMBU ZINGA
Mirko Popovitch nasceu em 1948, em Bruxelas. É autodidata. Realizou documentários e filmes de ficção em vídeo e 16 mm, incluindo "La fin d`un jour"(77), "Sofia"(79), "Le temps des cerises"(79), "Tout cela est tout à fait déplorable"(81) e "Du couscous sur les ondes"(85). Kwami Mambu nasceu em 1943, em Kinshasa, Zaire. É diretor de produção cinematográfica do Departamento de Radiodifusão e Televisão do Zaire (OZRT). Dirigiu filmes de ficção e documentários, incluindo "Moseka"(72) e "Ngambo"(85).

Filmes já exibidos na Mostra:

Wendo, Pai Da Rumba Zairense (17ª Mostra)
Kwon Man-ki
Kwon Man-ki
Born in Busan, South Korea, in 1983. Kwon is a graduate in film direction from the Korean Academy of Film Arts. Clean Up, his first feature film, was made as part of the course. He also directed the short movie Telepata (2015).

Filmes já exibidos na Mostra:

CLEAN UP (43ª Mostra)
KYONG DUK CHO
Was born in1974, Seoul, Korea. Graduated from Hanyang University, majoring in Theatre and Film. His filmography includes The Wedding Day (2003) and Suspicions in the Military (2005, screenplay).

Filmes já exibidos na Mostra:

Sex Volunteer (33ª Mostra)
Kyoshi Sugita
Kyoshi Sugita

Born in Tokyo, Japan, in 1977. He studied at Rikkyo University, in Tokyo, and worked as an assistant director in films of directors such as Kiyoshi Kurosawa and Makoto Shinozaki. Sugita made some short films and the features A Song I Remember (2011), screened at the Tokyo International Film Festival, and Listen to Light (2017). 

Filmes já exibidos na Mostra:

Haruhara-san`s Recorder (45ª Mostra)
KYUNG T. KWAK
Formado em Cinema pela Universidade de Nova York (NYU) em 1994, Kyung T. Kwak realizou escreveu e produziu vídeos e curtas na Coréia do Sul. Casa de banho – 15 Horas, O Paraíso é seu primeiro filme.

Filmes já exibidos na Mostra:

Casa de Banho - 15 Horas, o Paraíso (22ª Mostra)
KYZZA TERRAZAS
KYZZA TERRAZAS
He is a writer, producer and filmmaker. As a screenwriter, he signed movies like Deficit (2007, 31 st Mostra), directed by Gael García Bernal. Terrazas made his directional debut with El Language de los Machetes (2011). He also directed Somos Legua (2016), a documentary about hip-hop in Mexico. Bayoneta is his third feature.

Filmes já exibidos na Mostra:

BAYONETA (42ª Mostra)
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