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CATHEDRALS OF CULTURE (3D)

CATHEDRALS OF CULTURE (3D)
Direction
Karim Aïnouz , MICHAEL GLAWOGGER , WIM WENDERS , MICHAEL MADSEN , ROBERT REDFORD , MARGRETH OLIN
Screenplay
Karim Aïnouz, Michael Glawogger, Bjørn Olaf Johannessen, Anthony Lappé, Michael Madsen, Margreth Olin, Wim Wenders
Cinematography
Wolfgang Thaler, Ali Olcay Gözkaya, Edward Lachman, Øystein Mamen, Christian Rein
Editing
Toni Froschhammer, Jim Helton, Janus Billeskov Jansen, Michal Leszczylowksi, Monika Willi
Music
Karsten Fundal, Moby
Producer
Erwin M. Schmidt, Gian-Piero Ringel
Production
Neue Road Movies
Ratings
Livre
World Sales
Cinephil
E-mail
info@cinephil.co.il
Edition(s)
39ª

CATHEDRALS OF CULTURE (3D)

CATHEDRALS OF CULTURE (3D)
  • Documentary
  • |
  • 165 min.
  • |
  • digital
  • |
  • cor
  • |
  • 2014
Germany, Denmark, Austria, Norway

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“If buildings could talk, what would they say about us?” Cathedrals of Culture offers six responses. This 3D film project allows six iconic and very different buildings to speak for themselves, examining human life from the perspective of a manmade structure. Six filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. The movie explores how each of these landmarks reflects our culture and guards our collective memory.

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Karim Aïnouz
Karim Aïnouz

Born in Fortaleza, Ceará, Brazil, in 1966. He graduated in architecture and urbanism from the Brasilia University and has a master in theory and history of cinema from the New York University. In the 2000’s, he collaborated with the scripts of movies like Shredded April (2001), by Walter Salles, Cinema, Aspirins and Vultures (2005, 30th Mostra), by Marcelo Gomes, and Lower City (2005, 29th Mostra), by Sérgio Machado. Aïnouz made his debut in feature films direction in 2002 with Madame Satã, screened at the 26th Mostra. He also directed Suely in the Sky (2006, 30th Mostra), I Travel Because I Have To, I Come Back Because I Love You (2009), in partnership with Marcelo Gomes, The Silver Cliff (2011), Futuro Beach (2014), Central Airport: THF (2018, 42nd Mostra) and The Invisible Life (2019, 43rd Mostra), winner of Un Certain Regard section at Cannes Film Festival.

MICHAEL GLAWOGGER
MICHAEL GLAWOGGER

Born in Graz, Austria, in 1959, he studied at San Francisco Art Institute, USA. He graduated in cinema at Wiener Filmakademie, in Vienna. Glawogger directed shorts before his first feature The Ant Streets (1995, 19th Mostra). He directed, among others, the features Megacities (1998), winner of the Jury’s Prize of best documentary at the 22nd Mostra; France, Here We Come! (1999, 23rd Mostra), Workingman’ Death (2005, 26th Mostra), Slumming (2006, 30th Mostra), Kill Daddy Good Night (2008, 33rd Mostra) and Whore´s Glory (2011, 36th Mostra). Died in Liberia in 2014 at the age of 54.
WIM WENDERS
WIM WENDERS

Born in Düsseldorf, Germany, in 1945. Wenders studied at the Munich College of Film and Television. He is one of the exponents of the New German Cinema of the 1970’s. He directed the features The American Friend (1977, 3 rd Mostra), Hammett (1982, 8 th Mostra), The State of Things (1982, 8 th Mostra), winner of the Golden Lion at Venice Film Festival, Tokyo-Ga (1985, 10 th Mostra) and Paris, Texas (1984, 13 rd Mostra), Golden Palm at Cannes Film Festival. He also directed Until the End of the World (1991, 16 th Mostra), Nick’s Movie (1980, 15 th Mostra), Ode to Cologne (2000, 26 th Mostra), Land of Plenty (2004, opening film of the 28 th Mostra) and Don’t Come Knocking (2005, 29 th Mostra). In 2010, he designed the poster art for the 34 th Mostra, that screened a retrospective of his filmography, and came back to São Paulo for the opening of an exhibition of his photographs at Masp. He also directed a segment of the film Invisible World (2012, 35 th and 36 th Mostras), produced by Mostra. The Salt of the Earth (2014), co-directed by Juliano Ribeiro Salgado, Every Thing Will Be Fine (2015) and Submergence (2017) are some of his recent films.
MICHAEL MADSEN
MICHAEL MADSEN

Born in Copenhagen, Denmark, in 1971, he is a multimedia artist and videomaker. He directed, among others, the medium-length documentaries Celestial Night (2003) and To Damascus (2005), and the feature documentary Into Eternity: A Film for the Future (2009, 34th Mostra).
ROBERT REDFORD
ROBERT REDFORD

Born in Santa Monica, California, in 1936. Actor, director and producer Robert, he is also an important figure in the history of independent American cinema for creating the Sundance Film Festival. He acted, among others, in films like Butch Cassidy and the Sundance Kid (1969), by George Roy Hill; All the President`s Men (1976), by Alan J. Pakula, and Out of Africa (1985), by Sydney Pollack. Redford directed feature films such as Ordinary People (1980), winner of four Academy awards; The Milagro Beanfield War (1988), A River Runs Through It (1992), Lions for Lambs (2007) and The Conspirator (2010).
MARGRETH OLIN
MARGRETH OLIN

Born in Norway in 1970. She studied media and mass-communication at the University of Bergen and the University of Oslo, and media, journalism and documentary filmmaking at Volda University College. She directed the documentaries The House of Angels (1998) and Raw Youth (2004). Olin has also directed fictions, like the short Gluttony, part of the collective film The Seven Deadly Sins (2000), and the feature The Angel (2009).
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