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Hanna Arendt

Hanna Arendt
Direction
Margarethe Von Trotta
Screenplay
Pam Katz, Margarethe von Trotta
Cinematography
Caroline Champetier
Editing
Bettina Böhler
Music
Barbara Sukowa, Axel Milberg, Janet McTeer
Producer
Bettina Brokemper, Johannes Rexin
Production
Heimatfilm, Minotaurus Film, Mact Productions, Metro Communications
Ratings
14 anos
World Sales
The Match Factory
Edition(s)
36ª

Hanna Arendt

Hanna Arendt
  • Fiction
  • |
  • 113 min
  • |
  • digital
  • |
  • color
  • |
  • 2012

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After she attends the trial of Nazi Adolf Eichmann in Jerusalem, Hannah Arendt dares to write about the Holocaust in terms no one had ever heard before. Her work instantly provokes a scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré struggles to suppress her own painful associations with the past, her beguiling blend of arrogance and vulnerability is exposed — revealing a soul defined and derailed by exile. The film is a portrait of this powerful Jewish woman who fled Nazi Germany in 1933, the genius that shook the world with her discovery of “the banality of evil.”

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Margarethe Von Trotta
Margarethe Von Trotta

Born in Berlin in 1942, she studied German and Roman languages and literature in Munich and in Paris. She took part of the New German Cinema Movement first as an actress, in films of directors Rainer Werner Fassbinder and Herbert Achternbusch, and also as a writer and director. She worked on her former husband Volker Schlondorff’s scripts and was the co-director of the film adaptation of Heinrich Böll’s The Lost Honor of Katharina Blum (1978). She directed, among others, the films Marianne and Juliane (1981), winner of the Golden Lion at Venice International Film Festival, Rosa Luxemburg (1986), Hannah Arendt (2012, 36th Mostra), The Misplaced World (2015) and Searching for Ingmar Bergman (2018, 42nd Mostra).
43ª MOSTRA INTERNACIONAL DE CINEMA
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