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The Hour of the Wolf

Vargtimmen
Direction
INGMAR BERGMAN
Screenplay
Ingmar Bergman
Cinematography
Sven Nykvist
Music
Lars Johan Werle, Johann Sebastian Bach, W.A. Mozart
Cast
Max von Sydow, Liv Ullmann, Ingrid Thulin
Producer
Lars-Owe Carlberg
Edition(s)
32ª

The Hour of the Wolf

Vargtimmen
  • |
  • 89 minutos
  • |
  • 35mm
  • |
  • P&B
  • |
  • 1968
Sweden

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Johan Borg is a painter who lives with his wife, Alma, on a island, where they have a summer cottage. One day Baron von Merkens, the owner of the island, invites them to his castle. At the dinner, Borg is mocked and intimidated by his hosts. Meanwhile, Alma has discovered a diary of Johan’s, in which he recalls incidents involving his former mistress, Veronica Vogler, and an apparent murder of a boy on the shore. Borg now goes steadily insane. He tries to shoot Alma with a gun given him by Heerbrand, and then storms up to the castle again. Lindhorst powders him ceremoniously, and then introduces him into a vault where Veronica lies corpse-like on

a bier. She awakes, and embraces him violently, to the amusement

of the other members of the castle party. Later Johan disappears

in a swamp, and Alma, now pregnant, is left on the verge of instability herself.

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INGMAR BERGMAN
INGMAR BERGMAN

Born in Sweden in 1918. One of the greatest Swedish directors, Bergman had a traumatic childhood marked by physical and psychological abuse by his father, a Lutheran pastor. His inner demons were exorcised through his films and plays that explored sexual anxiety, loneliness and the search for the meaning of life. Directed feature films such as The Seventh Seal (1957), which won Jury Special Prize at the Cannes Film Festival; Wild Strawberries (1957); Cries and Whispers (1972, 17th Mostra), which won Oscar for best cinematography; Fanny & Alexander (1982, 32nd Mostra), which won four Oscars including best foreign language film, and Saraband (2003). His first movies were screened at a retrospective at the 32nd Mostra. He died in 2007 at the age of 89.
43ª MOSTRA INTERNACIONAL DE CINEMA
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