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Second Skin

Second Skin
Direction
GERARDO VERA
Screenplay
Ángeles González Sinde
Cinematography
Julio Madurga
Editing
Nicholas Wentworth
Cast
Javier Bardem, Jordi Mollá, Ariadna Gil, Cecilia Roth, Javier Albalá, Adrián Sac, Mercedes Sampietro
Producer
Andrés Vicente Gómez
Edition(s)
24ª

Second Skin

Second Skin
  • |
  • 106 minutos
  • |
  • colorido
  • |
  • 1999
Spain

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A human drama that explores love, infidelity, and the vexations of passion with a frank gaze and a firm hand. Elena well knows that the crisis that affects her marriage is not a passing crisis. Her husband, Alberto, a young and prestigious engineer, has just opened a new door in his life and seems determined to cross the threshold with another person. He is not pretending, but merely misguided. He loves his wife and son, but realizes the passion he feels for Diego is more than mere desire. Diego works in a private clinic and leads an existence free of hipocrisy or prejudice. He throws himself whole-heartedly into the love affair risking his emotional and professional stability. Growing deception, pain, and mistrust involve the three lovers. A confrontation is inevitable, and a break-up is nigh. Elena, however, is not willing to give way. Having analyzed the situation, imbued with courage, she seeks solace in the arms of another man, and reaffirms her feelings. Without losing a single minute, she again lays the cards on the table. And Alberto is torn between the two faces of love. Bound to this complicated amorous triangle, all three strive to preserve their relationship; however, love never treads a path in one sole direction.

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GERARDO VERA

Born in Madrid, in 1947, he studied Staging and Costume Design at the Central School of Arts, in London. He worked with the Costume Design department of the Royal Opera House and continued his training in theater in different countries. As from the eighties, he worked as costume designer for theater and cinema. He collaborated with renowned film makers such as Carlos Saura, Manuel Gutiérrez Aragón, Montxo Armendáriz, and Fernando Trueba. He was concomitantly extremely active in artistic work for several theater productions, for musicals, operas, and TV programs. His first feature was Una Mujer Bajo la Lluvia, of 1992, and La Celestina.
43ª MOSTRA INTERNACIONAL DE CINEMA
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  • General Info
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