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The Goddess of 1967

The Goddess of 1967
Direction
CLARA LAW
Screenplay
Clara Law, Eddie L.C. Fong
Cinematography
Dion Beebe
Editing
Kate Williams
Cast
Rose Byrne, Rikiya Kurokawa, Nicholas Hope, Elise McCredie
Producer
Eddie L.C. Fong, Peter Sainsbury
Edition(s)
24ª

The Goddess of 1967

The Goddess of 1967
  • |
  • 118 minutos
  • |
  • colorido
  • |
  • 2000
Australia

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JM is a Japanese youngster who is part of the consumer society in Tokyo. His only dream is to buy a car, but a special car: a 1967 Citroen DS (Déesse, in French), known as "The Goddess". JM finds a car in Australia and goes there. On reaching his destination, however, he finds that the seller and his wife are both dead. A blind girl of 17 says she can take him to the real owner of the car. Together they set out on an exotic journey through the arid wastes of the Australian desert, dotted with mining ghost towns, a site of mystery and desolation. As they move on into the desert, they gradually speak of secrets from the past. This road-movie has as main protagonist, a car: a Citroen DS. Designed by Flaminio Bertoni, the car was presented at the Paris Autosalon in 1955. There were twelve thousand orders on the first day of the car show. By the week-end, there were eighty thousand orders. The car became a classic in design, presented at the Milan Triennale and at MoMA, New York. The car became even more famous owing to two historic facts. President Charles de Gaulle escaped an attempt on his life because of one of these cars and, in his Mythology, Roland Barthes described the car as "the supreme creation of an era."

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CLARA LAW

Nasceu em Macau, na China, mas mudou-se para Hong Kong aos dez anos. Atualmente ela vive na Austrália. Antes de se dedicar ao cinema, tentou a carreira em Letras, graduando-se em Literatura Inglesa na Universidade de Hong Kong. Transferiu-se para Londres para estudar roteiro e direção na National Film and Television School. Como conclusão de curso, realizou o filme They Say the Moon is Fuller Here, que venceu uma placa de prata no Festival de Cinema de Chicago, em 1985. Dirigiu ainda Farewell, China (1990), Autumn Moon (1992), Temptation of a Monk (1993), Wonton Soup (1994) e Vidas Flutuantes (Floating Life, 1996, seleção da 20ª Mostra), entre outros.
43ª MOSTRA INTERNACIONAL DE CINEMA
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