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Pett and Pott

Pett and Pott
Direction
ALBERTO CAVALCANTI
Screenplay
ALBERTO CAVALCANTI
Cinematography
JOHN TAYLOR
Editing
ALBERTO CAVALCANTI
Cast
OS BONS CIDADÃOS
Producer
JOHN GRIERSON
Edition(s)
26ª

Pett and Pott

Pett and Pott
  • |
  • 33 minutos
  • |
  • Preto e branco
  • |
  • 1934
England

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Pett and Pott is a false moral short story devised to promote the use of the telephone. Pett invests in a telephone system while Pott, who is decadent, uses his money to keep a maid at home. The lack of a telephone generates constant misunderstanding and useless discussion. To have a telephone set means organization and progress. Cavalcanti, however, manages to ridicularize the initial Manicheism showing both families as equally odious, but charming.

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ALBERTO CAVALCANTI

Alberto de Almeida Cavalcanti was born in Rio de Janeiro on February 6, 1897. He started his career as script writer, art director and director in Paris in the twenties, in the early days of cinema. In 1926, he directed a vanguard documentary, Nothing But Time, describing life for some of the workers in Paris during a single day. Cavalcanti moved to England in 1933 to work as a sound engineer and later as producer at the GPO Film Unit, under director John Grierson. With the outbreak of World War II, he transferred to Ealing Studios where he worked for Michael Balcon. There he directed films that were important to his career, such as Champagne Charlie (1944) and They Made me a Fugitive (1947). In the late forties, on invitation of Assis Chateaubriand, he returned to Brazil to be director at Vera Cruz film producers, newly instituted in São Bernardo do Campo. He made some of his best known films in Brazil, with his own producing company (not Vera Cruz) - Simon the One-Eyed (1952) and Woman of Truth (1954). Under pressure for his leftist political position, he again left Brazil in the late fifties and settled in Paris where he produced films for cinema and TV. The last film he directed was La Visite de la Vieille Dame (1971; for TV). He died in Paris on August 23, 1982.
43ª MOSTRA INTERNACIONAL DE CINEMA
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