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Mulher de Verdade

Mulher de Verdade
Direction
ALBERTO CAVALCANTI
Screenplay
MIROEL SILVEIRA E OSWALDO MOLES
Editing
JOSÉ CAÑIZARES
Cast
INESITA BARROSO, COLÉ SANTANA, RAQUEL MARTINS, ADONIRAN BARBOSA, CARLA NELL CARLOS ARAÚJO, VALDO WANDERLEY, CACO VELHO
Producer
ALBERTO CAVALCANTI
Edition(s)
26ª

Mulher de Verdade

Mulher de Verdade
  • |
  • 88 minutos
  • |
  • Preto e branco
  • |
  • 1954
Brazil

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Bamba, a good-for-nothing, fractures his skull in a tussle with the police. In hospital, he falls in love with a nurse, Amélia, whom he would like to marry once he is out of prison. After one last swindle, Bamba changes his life and marries Amélia. She must, however, conceal the fact she is married so as not to violate the regulations of the hospital where she works. In her dissatisfaction, she uses her unusual working hours to marry another boy, and leads a double life. During a fire, Bamba saves his wife from the blaze. A party is being organized as a tribute to him. The occasion will be decisive for Amélia.

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ALBERTO CAVALCANTI

Alberto de Almeida Cavalcanti was born in Rio de Janeiro on February 6, 1897. He started his career as script writer, art director and director in Paris in the twenties, in the early days of cinema. In 1926, he directed a vanguard documentary, Nothing But Time, describing life for some of the workers in Paris during a single day. Cavalcanti moved to England in 1933 to work as a sound engineer and later as producer at the GPO Film Unit, under director John Grierson. With the outbreak of World War II, he transferred to Ealing Studios where he worked for Michael Balcon. There he directed films that were important to his career, such as Champagne Charlie (1944) and They Made me a Fugitive (1947). In the late forties, on invitation of Assis Chateaubriand, he returned to Brazil to be director at Vera Cruz film producers, newly instituted in São Bernardo do Campo. He made some of his best known films in Brazil, with his own producing company (not Vera Cruz) - Simon the One-Eyed (1952) and Woman of Truth (1954). Under pressure for his leftist political position, he again left Brazil in the late fifties and settled in Paris where he produced films for cinema and TV. The last film he directed was La Visite de la Vieille Dame (1971; for TV). He died in Paris on August 23, 1982.
43ª MOSTRA INTERNACIONAL DE CINEMA
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