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Sketches of Frank Gehry

Sketches of Frank Gehry
Direction
SYDNEY POLLACK
Cinematography
Marcus Birsel, Claudio Rocha, George Tiffin
Music
Sorman & Nystrom
Producer
Ultan Guilfoyle
Edition(s)
30ª

Sketches of Frank Gehry

Sketches of Frank Gehry
  • |
  • 83 minutos
  • |
  • color, 35mm
  • |
  • 2005

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This is a story of mutual admiration of one artist for another. Sydney Pollack, who knows little about architecture, except what he admires, was invited by his friend, renowned architect Frank Gehry, to make a documentary on his life and method at work. One of the great American filmmakers, actor, producer, and director of acknowledged masterpieces such as They Shoot Horses, Don’t They? (1969), Tootsie (1982), and Out of Africa (1985), he accepted the challenge, and so, on to his first documentary. The collaboration between both resulted in something special. Gehry is at his most natural before Pollack?s camera. The personal life of the architect and his work, such as the structures of the Guggenheim Museum in Bilbao, Spain and those of the Walt Disney Concert Hall, in Los Angeles, are presented in the documentary. The production includes statements from friends of the architect, among others, rock singer Bob Geldof, actor Dennis Hopper, film magnates Michael Eisner and Michael Ovitz, and painter Julian Schnabel.

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SYDNEY POLLACK

Born in 1934, he grew up in Indiana, the United States. He studied at the Neighbourhood Playhouse, the school for theater in New York. For a long time, he worked in television, directing series such as The Fugitive and Ben Casey, before starting his work as film director. His first film was The Slender Threat, in 1965, followed by such as The Way We Were (1973), Three Days of the Condor (1975), Absence of Malice (1981), The Firm (1993), Sabrina (1995), and The Interpreter (2005). He also acted in films with other directors such as Husband and Wives (1992), by Woody Allen, The Player (1992), by Robert Altman, and Eyes Wide Shut (1999), by Stanley Kubrick. Tribute was paid to the entirety of his work at the 2002 Locarno Film Festival.
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