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Once Upon a Time

Érase Otra Vez
Direction
JUAN PINZÁS
Screenplay
Juan Pinzás
Cinematography
Gerardo Moschioni, Tote Trenas
Editing
María Lara
Cast
Monti Castinieras, Pilar Saavedra, Vicente de Souza, Mara Sánchez, Victor Mosqueira, Isabel Vallejo
Producer
Pilar Sueiro
Edition(s)
24ª

Once Upon a Time

Érase Otra Vez
  • |
  • 93 minutos
  • |
  • colorido
  • |
  • 1999
Spain

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Regarded as the "first Spanish certified Dogma movement film", this drama focuses on a group of friends in college, who ten years after completing their course in journalism, decide to meet up once again at the house of a member of the group. All seems well enough for all; however, they are gradually to show a different side to their lives. One week-end will prove more than sufficient for the best and the worst of each to emerge, unleashing conflict and discussion. Among other characters, is a writer obsessed by success, a TV presenter divided between two lovers, a gardener anarchist, and a painter in search of the emotional stability she lacks. "The Spanish Dogma films must, in their scripts, reflect the socio-cultural reality of Spain and of its people, in any of its social spheres and in the immediate present", says the manifesto, now firmly established in the Iberian Peninsula and originally from the Nordic countries.

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JUAN PINZÁS

Was Born in Vigo, Spain, in 1950. He shot his first short films in Super-8 in 1977. He directed the short Opus I Homo Hominis (5th Mostra) in 1981. The Great Comedy (1985) was his first feature film. His second feature, The Game of the Invisible Messages (1992) was exhibited at the 16th Mostra. He also directed Once Upon Another Time (2000, 24th Mostra), Wedding Days (2002, 27th Mostra), and The Outcome (2005, 30th Mostra), films that follow the precepts of the Dogma movement. The Lost Images. The other View is his seventh feature film.
43ª MOSTRA INTERNACIONAL DE CINEMA
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