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Elegy From Russia

Elegia Iz Rossii
Direction
ALEKSANDER SOKUROV
Screenplay
ALEKSANDR SOKÚROV
Editing
L. SEMENOVA
Edition(s)
26ª

Elegy From Russia

Elegia Iz Rossii
  • |
  • 68 minutos
  • |
  • Col
  • |
  • 1992
Russia

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The seventh elegy, intended by Sokúrov as a single line of continuous flow, the development of which is to show a new and original way of viewing the world. Seamless, sheer, here, once again, time has no start, no finish. A succession of images: the final throes of a body at death’s door - not a human body, but a pair of hands and a voice fading away, in the knowledge of ebbing strength. A woman awakens in her wheel chair, worried at the prospect of losing the house she lives in; an old man broods over his loneliness in a chalet far off in the country, as though he had just emerged from a novel by Gorky. Different characters come forth from different places, but their existence is equally tragic.

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ALEKSANDER SOKUROV
ALEKSANDER SOKUROV

Was born in 1951 in the city of Podorvikha, Russia. His work, even as a student, was unacceptable to Russian bureaucracy, and he was accused of formalism and of assuming "anti-Soviet views". His first feature, The Lonely Human Voice (1978, 26th Mostra) was refused as a graduating project by the VGIK, the Russian Cinema Institute. Sokurov`s films were shown in Brazil since 1997, at the 21st Mostra, with Mother and Son. He had a retrospective of 33 of his films at 26th Mostra, when was also released the first book in Portuguese about his work, Aleksandr Sokúrov, by publishing house Cosac Naify. Among his most important films are Dolce (1999, 24th Mostra), Elegy of a Voyage (2001, 25th Mostra), The Russian Arc (2002, 26th Mostra), Father and Son (2003, 27th Mostra) Alexandra (2007, 32nd Mostra), in addition to the films that complete the Power Tetralogy: Moloch (1999, 23rd Mostra) about Hitler; Taurus, about Lenin (2001, 26th Mostra), and The Sun, about the Japanese emperor Hirohito (2005, 30th Mostra).
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