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43ª MOSTRA INTERNACIONAL DE CINEMA

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Late Autumn

Akibiyori
Direction
YASUJIRO OZU
Screenplay
Kogo Noda, Yasujiro Ozu
Cast
Setsuko Hara, Yoko Tsukasa, Mariko Okada, Keiji Sada
Producer
Shizuo Yamanouchi
Edition(s)
27ª

Late Autumn

Akibiyori
  • |
  • 128 minutos
  • |
  • Col
  • |
  • 1960
Japan

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Regarded as one of the most inspired variations on family relations, the film maker’s favorite subject. After a funeral ceremony, as a tribute to her husband, Akiko and her daughter, Ayako, talk about the deceased with friends Taguchi, Hirayama, and Mamiya. The three speculate on the girl’s future and suggest that she marry. Ayako refuses, claiming that she will not leave her mother alone. After a round of golf, the three friends persuade the mother to re-marry, allowing Ayako to feel free to do the same. Taguchi and Mamiya are thinking of their friend Hirayama, also a widower, as the most apt to win Akiko’s heart, Things, however, do not develop as expected, and the plan falls through.

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YASUJIRO OZU
YASUJIRO OZU

Born in Tokyo, 1903. In 1922, he got a job at Shochiku Studios and later directed his first film, Sword of Penitence (1927). Among his first films, I Graduated But... (1930) and Tokyo Chorus (1931, 27th Mostra) stand out. During World War II, he was imprisoned and sentenced to forced labor by the British. He eventually returned to filmmaking and directed Late Spring (1949), regarded in Japan as a masterpiece. The stand-out films that make up the latter half of his filmography are Early Summer (1951), Tokyo Story (1953), The Equinox Flower (1958), and Floating Weeds (1959). His last films – Good Morning (1959), Late Autumn (1960), The End of Summer (1961) and An Autumn Afternoon (1962) – were all screened during the 27th Mostra. Ozu died in 1963, on the day he would have turned 60, leaving behind 53 films.
43ª MOSTRA INTERNACIONAL DE CINEMA
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