43ª Mostra
  • Films
  • Director
  • Editorials
  • Tribute
  • Jury
  • Interviews
  • News and Events
  • Mostra Journal
  • Podcast
  • Photos
  • Videos
  • III Fórum Mostra
  • Cinema Alemão: por Mariette Rissenbeek
  • Restorations
  • Staff Members
  • Acknowledgments
Versão Português
VignettePoster
  • 43ª MOSTRA
  • Films
  • Director
  • Editorials
  • Tribute
  • Jury
  • Interviews
  • News and Events
  • Mostra Journal
  • Podcast
  • Photos
  • Videos
  • III Fórum Mostra
  • Cinema Alemão: por Mariette Rissenbeek
  • Restorations
  • Staff Members
  • Acknowledgments
  • Info
  • General Info
  • Find the Theathers
  • Mostra Central
  • Press
  • Tickets
  • Partnerships
  • Apoiadores
  • Roteiro Gastronômico
  • Hospedagem
  • Instituições
  • ABMIC
  • Books
  • DVDs
  • Archive

43ª MOSTRA INTERNACIONAL DE CINEMA

info@mostra.org

X

An Affair at Akitsu

Akitsu Onsen
Direction
KIJU YOSHIDA
Screenplay
Kiju Yoshida, Shinya Fujiwara
Cinematography
Toichiro Narushima
Cast
Mariko Okada, Hiroyuki Nagato, Sumiko Hidaka, Masako Nakamura, Fukuko Sayo
Producer
Masao Shirai (Shochiku)
Edition(s)
27ª

An Affair at Akitsu

Akitsu Onsen
  • |
  • 113 minutos
  • |
  • preto-e-branco
  • |
  • 1962
Japan

Compartilhar
Tweet


A melodrama on a love encounter that is a metaphor of the history of Japan from 1945 through 1962. In the summer of 1945, student Shusaku arrives at the Akitsu baths to cure tuberculosis he contracted during the war. He is assisted by a chambermaid, Shinko, a young independent woman who dreams of a country free from the tradition that oppresses women. They fall in love. When they are informed of Japan?s surrender in World War II, they try suicide, but are not successful. Shusaku then decides to return home to the city. The lovers continue to meet in the 17 years following, but never establish a lasting relationship. Inspite Shusaku’ mundane existence (he is more and more cynical), Shinko is true to her love. The last of their encounters is to be marked by tragedy.

SCHEDULE



BUY TICKETS

KIJU YOSHIDA

Born in 1933, in Fukui, Japan. He studied French Literature and, in 1955, joined Shochiku producers as Assistant Director to Keisuke Kinoshita. He directed his first film in 1960 with Good-for-Nothing. He was first noticed by the critics in 1962, with An Affair at Akitsu, A Story Written with Water (1965), The Affair (1967), Eros + Massacre (1969) and Heroic Purgatory (1970), dealing with political and sexual themes. Yoshida always refused interference with his work and, after he filmed Coup D’Etat (1973), he made documentaries for TV and for the cinema. He went back to fiction in 1986, with A Promise, followed by Wuthering Heights (1988), an adaptation of the novel by the same name by Emily Brontë. Women at the Mirror (2002), his last film, is programmed for the 27th Mostra.
43ª MOSTRA INTERNACIONAL DE CINEMA
  • ABMIC
  • Books
  • DVDs
  • Archive
  • 43ª MOSTRA
  • Films
  • Director
  • Editorials
  • Tribute
  • Jury
  • Interviews
  • News and Events
  • Mostra Journal
  • Podcast
  • Photos
  • Videos
  • III Fórum Mostra
  • Cinema Alemão: por Mariette Rissenbeek
  • Restorations
  • Staff Members
  • Acknowledgments
  • Info
  • General Info
  • Find the Theathers
  • Mostra Central
  • Press
  • Tickets
  • Partnerships
  • Apoiadores
  • Roteiro Gastronômico
  • Hospedagem
  • Instituições

 

Lei de Incentivo
Proac

Patrocínio Master 

Itaú

Patrocínio 

SPCINE
São Paulo Capital da Cultura
Cidade de São Paulo
Sabesp
BRDE
FSA
Ancine

Parceria 

Sesc
CPFL Energia

Apoio 

Projeto Paradiso
Imprensa Oficial
Governo do Estado de São Paulo

Copatrocínio 

Petra

Colaboração 

Masp
Renaissance
Prefeitura de São Paulo
Auditório Ibirapuera
Itaú Cultural
Jazz Sinfônica
TV Cultura
Instituto CPFL
Conjunto Nacional
Casal Garcia
Velox Tickets

Transportadora Oficial 

Audi

Promoção 

Folha
Canal Curta TV
Rádio CBN
Telecine
Globo Filmes
TV Cultura
Arte1

Realização 

Mostra
ABMIC
Secretaria Especial da Cultura
Ministério da Cidadania
Pátria Amada Brasil
ABMIC - Associação Brasileira Mostra Internacional de Cinema © 2019